Shiva, a tribal vagabond lives with his mother in hamlet, stays away from the traditional Daivaradhane and Bhoota Kola legacy due to an unforgettable childhood incident. He is happy loafing around with his friends and doing petty jobs for his landlord. When Forest officer Murali enters the scene, it gives a fresh dimension to the man-vs-nature fight. Can Shiva save the forest from Murali? Or is Murali just a dummy bait cast by bigger fish?
India, 1918. On the outskirts of Tumbbad, a cursed village where it always rains, Vinayak, along with his mother and his brother, care of a mysterious old woman who keeps the secret of an ancestral treasure that Vinayak gets obsessed with.
A bandit leader kidnaps the wife of the policeman who killed his sister, but later falls in love with her.
An eight year old boy contemplates his relationship with Lord Shiva (the incarnation of Lord Vishnu) in the sacred city of Banaras.
After inspector Dev stirs the reign of Veeraiya, a tribal outlaw, the latter responds by kidnapping his wife, Ragini. While she tries to escape from him, Dev fights many resistances to find her.
Shankar is a wounded, reluctant and reclusive aghora on a quest to find the cure for his very rare human condition – the one that will be cured, only when he can confront and conquers the haunting ironical questions of his life.
Following Bhagwan Shri Ram's 14 year exile, whereby he demolishes the evil empire of Lord Ravan, rescues his wife, Sita, and returns triumphantly home to Ayodhya to be crowned the King. Bhagwan Ram arranges for Sita to be placed on top a funeral pyre, and when she comes out unscathed with the Lord of Fire himself appearing and asking Bhagwan Ram to take Sita back as she is pure, and her presence has not only purified Ayodhya, but also Sri Lanka, as well as himself.
The story revolves around the portrayal of the ten different avatars of Lord Vishnu namely Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Balarama and Kalki.
The film is a retelling of the story of Lord Rama, from his birth until his battle with Ravan at Sri Lanka.
Nikhil Siddharth and Swathi Reddy are back once again onscreen with Karthikeya. The mystery of the Subramanian Swamy temple which has remained closed for years is the crux of the movie. Local people in the village are curious why the temple has been locked up for years? The lead protagonists take the initiative to solve the mystery.
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
First part of the epic Ramayana trilogy.
Ravana (Niranjan Sharma) orders Maricha to turn into a deer to entice Sita (Sona Chatterjee) with the notion of kidnapping her. Rama (Trilok Kapoor), Lakshman (Prabhash Joshi) and Sita are in the Panchavati forest for their fourteen year exile. Espying the golden deer sent by Ravana to lure Rama away, Sita asks Rama to get it. On hearing a cry of pain she sends Lakshman after his brother thinking he’s hurt. Ravan comes in the guise of a hermit begging alms and makes Sita step over the Lakshman Rekha (line), Lakshman had drawn around their cottage for her safety, asking her not to step beyond it. In their search for Sita, Ram and Lakshman meet Hanuman (S. N. Tripathi) whom they help in the fight between Sugriva and Bali. Hanuman then helps in finding Sita. (Wikipedia)
This special-effects laden film is based upon an episode from the Ramayana. Indrajit, son of Ravan, initiates an attack on Rama (Mane) and Lakshmana (Kulkarni) in which they are captured by Mahi (Kelkar). They escape with the assistance of Rama's disciple, the monkey-god Hanuman (Manajirao). The narrative foregrounds Chandrasena (Tarkhad), wife of Mahi, who reveres Rama but disapproves of the bacchanalian orgies and the celebration of liquor that is the norm in his kingdom. She helps resolve the stalemate of the battle when Mahi (who can duplicate himself and his dead soldiers) proves invincible, by revealing the secret formula that will kill her husband. In addition to the usual flying figures and magic arrows mandatory for a Ramayana mythological, there is an effective scene of a gigantic Hanuman picking up a miniaturized human figure.
Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
Mahabali was a beloved king and very kind to his subjects in the state of Kerala. The time under his rule was considered one of great prosperity and happiness. It is in fact this success as a king that led the gods to be wary of him and bring his demise at the hands of Vamana.
An epic musical drama depicting the preface to Seetha and Rama's wedding.
The story of Sita, a Hindu goddess and the female protagonist of the Hindu epic “Ramayana”.
This film creatively documents the art of Majuli masks, focusing on the only two families that keep the practice alive in Natun Chamaguri Satra, including multi-awared mask maker Dr. Hem Chandra Goswami.