An ambitious young man wins an heiress's heart but has to cope with his former girlfriend's pregnancy.
Episodic tale of four factory girls and their various romances at the local dance hall in Chiswick, London. Unusual at the time, the film tells its story from a feminine perspective. Today, it is mainly recognised for its post-war London atmosphere, with bomb sites, trolleybuses and rationing.
Jessie, a young working class woman, seeks to improve her life by marrying her boyfriend, only to find out that he is no better than what she left behind.
An exchange factory worker from New Jersey joins a plot to save a village from the Town and Country Planning Act.
They raised children, baked cakes... and built world-class fighter planes. Sixty years ago, thousands of women from Thunder Bay and the Prairies donned trousers, packed lunch pails and took up rivet guns to participate in the greatest industrial war effort in Canadian history. Like many other factories across the country from 1939 to 1945, the shop floor at Fort William's Canadian Car and Foundry was transformed from an all-male workforce to one with forty percent female workers.
"She Came Like a Wind" - Fabian Rosander works at a factory and is close to 50 years old. When a new employee named Lilly, a young beautiful girl, comes to the factory Fabians life takes a new turn.
A five-minute experimental film about the internal challenge of a Chinese toy painter as she is swept into a moment of artistic inspiration.
Lion City (狮子城 in Chinese and “Bandar Raya Singapura” in Malay) tells the love story of Feng Ling, a rubber packer at a factory, and Shao Ming, who is the manager of the rubber factory. When Shao Ming learns that Feng Ling is the daughter of Cheong Ah Choy, he approaches Feng Ling and the two become friends and fall in love with each other. Their relationship goes through many challenges bringing them apart for some time but alas, fate brings them back together in the beautiful Lion City, with consent from their parents to get married. Lion City is the first Chinese film produced by Cathay-Keris in post-war Singapore. The film is highly valued today for its scenic panoramic shots of Singapore in the 1960s as well as references to the political conditions of the time. It is one of the few Chinese films shot from a Chinese perspective during a time when Malay films dominated the industry.