A song cycle about love, death, and whiskey. A camera breaks and four friends drink in an interwoven tale spanning seven centuries, with a murderous sister, a treehouse astronomer, a bear, a subway, and the ghost of Thelonious Monk.
A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.
There’s only one person who so accurately personifies movie magic in the history of film, and that man is special effects maestro Ray Harryhausen. Focusing on the man behind the landmark effects on films like Clash Of The Titans, One Million Years B.C., Jason And The Argonauts and many more, this in-depth film features interviews with the great man himself, and with an array of animators and directors influenced by his work including Guillermo del Toro, Peter Jackson, Nick Park, Terry Gilliam, James Cameron and Steven Spielberg. The film also features unseen footage of tests and experiments recently uncovered.
The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.
Ali Baba steals hidden treasure from some raiders who then seek revenge on his family.
Presented in the form of a feverish love dream, 1001 Nights is the first and only installment of the ground-breaking "Filmharmonic" project, which presents original compositions created by pairs of A-list film composers and directors.
Legendary secrets are revealed as Aladdin and his friends—Jasmine, Abu, Carpet and, of course, the always entertaining Genie—face all sorts of terrifying threats and make some exciting last-minute escapes pursuing the King Of Thieves and his villainous crew.
Six hundred years ago in the desert, Abdullah thinks himself the happiest shoemaker in the world. He has a very special knowledge about women and shoes. But the story takes a surprising turn for both Abdullah and us. A humorous animation film for adults based on traditional Middle East story-telling. A mix of traditional animation and arabic calligraphy is here used to focus on a delicate subject.
Princess Jasmine grows tired of being forced to remain in the palace, so she sneaks out into the marketplace, in disguise, where she meets street urchin Aladdin. The couple falls in love, although Jasmine may only marry a prince. After being thrown in jail, Aladdin becomes embroiled in a plot to find a mysterious lamp, with which the evil Jafar hopes to rule the land.
Sinbad returns from the sea to find his country subjected to the will of two unscrupulous sorcerers.
This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.
An evil caliph (Christopher Lee) offers his daughter’s hand in marriage to a prince if he can complete a perilous quest for a magical rose. Helped by a young boy and a magic carpet, Prince Hasan (Oliver Tobias), has to overcome genies, fire breathing monsters and treacherous swamps to reach his prize and claim the hand of the Princess Zuleira (Emma Samms).
Princess Farah refuses to marry Sinbad until Prince Kassim, her brother, is able to give his consent. However, the Prince's wicked stepmother, Queen Zenobia, has changed Kassim into a baboon in order to have her own son crowned as caliph. Sinbad, his crew, the Princess and the transformed Prince travel to a distant land, fighting every obstacle Zenobia places in their path, to seek the advice of a legendary wise man who can possibly tell how to end the spell.
Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile Sinbad meets the Vizier who has another part of the interlocking golden map, and they mount a quest across the seas to solve the riddle of the map.
Ali Baba's powerful uncle hates how his nephew visits many beds of the caliphate and fetches a professor to set Ali Baba on the straight-and-narrow, but Ali humiliates the professor. Thinking Ali Baba is gay, Qadi's wife sets up a wedding, enlisting the help of a sorceress's magic potion to make Ali Baba fall for the selected woman, but the bride-to-be falls for Ali Baba instead.
After completing his voyages Sindbad the Sailor and his hearty crew have come home to find a palace coup d'etat has occurred and his home city is being run by a brutal dictator played by Pedro Armendariz. He's got designs on the beautiful young princess, Heidi Bruhl both lustful and political.
Cole Porter's version of the story of Aladdin--his only musical written especially for television.
A 1958 bollywood fantasy film based on Alibaba and the Forty Thieves.
A lord’s servant, Ali Baba, is sent to retrieve a slave for his master, but ends up on an adventure filled with gold, mischief, love, and forty famous thieves instead.
In ancient Persia the son of Ali Baba (of forty thieves fame), Kashma Baba is a military cadet by day and a party goer by night. He falls for a girl who he later finds is an escaped slave girl belonging to the wicked Caliph. They flee to his father's palace. But alas, there's more to her than meets the eye. Will the evil schemers succeed? The sons of the Forty Thieves to the rescue!