Any 1429, Joana era una noia francesa de disset anys que, a través de visions i de sentir veus, va tenir la revelació de ser l'escollida per Déu per salvar França i ajudar el príncep Carles a arribar al tron. Per aconseguir-ho, es va vestir d'home, va aprendre a lluitar amb armes i a dirigir un exèrcit. Al cap de poc, va conduir l'exèrcit francès a la victòria contra els anglesos a Orleans. Amb dinou anys la van empresonar i la van cremar a la foguera, sota l'acusació de bruixeria. L'any 1920 va ser canonitzada per l'Església catòlica.
Guerra dels Cent Anys. França. "La donzella d'Orleans", després Santa Joana, va ser la gran heroïna francesa a la guerra contra els anglesos; finalitzada la contesa va haver d'afrontar el judici de la Inquisició.
Joana d'Arc, la Donzella d'Orleans (1412-1431), una jove profundament religiosa, va viure durant la Guerra dels Cent Anys, en què s'enfrontaven França i Anglaterra. Completament convençuda que Déu li havia encomanat la missió d'expulsar els anglesos i de salvar França, veurà el Dofí, el futur Carles VII, i aconsegueix que li proporcioni tropes per aixecar el setge d'Orleans.
Guerra dels Cent Anys (segles XIV i XV). El 1431, Joana d'Arc, després d'haver conduït les tropes franceses a la victòria, és arrestada i acusada de bruixeria. Ella declara haver rebut de Déu la missió de salvar França, però és processada i condemnada a morir a la foguera.
Rouen, Normandy, 1431, during the Hundred Years' War. After being captured by French soldiers from an opposing faction, Joan of Arc, the Maid of Orléans, is unjustly tried by an ecclesiastical court overseen by her English enemies.
Convinced that only she can lead France to victory against the invading English, Joan of Arc leaves her childhood home to plead Charles, heir to the French throne, to allow her to guide his troops on the battlefield.
NYPD Detective Sara Pezzini's main goal in life was to bring down Tommy Gallo, the hitman who killed her father, her best friend, and eventually her partner. While chasing down one of Gallo's thugs, she acquires the Witchblade, an enchanted armored glove once used by Joan of Arc that deflects bullets, extends into bladed weapons, produces visions, and neatly compacts itself into a bracelet.
Joan of Arc is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.
A talented girl from the provincial Russian town Pasha Stroganova dreams of becoming an actress. She plays the role of Baba Yaga in the amateur theatre — and does it so organically that the visiting filmmaker offers her the most difficult role in the historical drama about Joan of Arc. She was given not only great acting talent, but the talent of deep, selfless love. A dream comes true: she is invited to the main role, and she begins a completely different life, full of real creative torment, insights and true happiness.
Joan has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.
France, 1425. In the midst of the Hundred Years’ War, the young Jeannette, at the still tender age of 8, looks after her sheep in the small village of Domremy. One day, she tells her friend Hauviette how she cannot bear to see the suffering caused by the English. Madame Gervaise, a nun, tries to reason with the young girl, but Jeannette is ready to take up arms for the salvation of souls and the liberation of the Kingdom of France. Carried by her faith, she will become Joan of Arc.
On November 17, 2012, Oscar-winning French actress Marion Cotillard joined the Barcelona Symphony and Catalonia National Orchestra for a performance of Arthur Honegger’s oratorio Joan of Arc at the Stake (Jeanne d'Arc au Bûcher) at the L'Auditori de Barcelona in Spain, broadcast live on Medici.tv. By Swiss composer Arthur Honegger, Jeanne d'Arc au Bûcher (1938) is an imposing oratorio. The libretto is a highly original creation by French poet and playwright Paul Claudel, who dramatises the last moments of the martyr's life. Originally written for actress Ida Rubinstein, the oratorio is written as a flashback in which Joan recalls her life, just before she dies. Honegger creates visually evocative ambiances and fills the orchestra with new sounds (saxophones, ondes Martenot). The initial prologue to the piece was added in 1944 as a symbol of the resistance during the Nazi occupation of France: again, Joan goes beyond her own story.
Josie Rourke directs Gemma Arterton as Joan of Arc in Bernard Shaw's electrifying classic. Performed at the Donmar Warehouse, and part of the NT Live series of broadcasts.
Could a nineteen-year-old girl change the course of history simply by faith? From ordinary farm girl to extraordinary hero, the life of Joan of Arc was one of conviction and courage. Fifteenth-century France was devastated by an ongoing war in which women did not fight. Yet Joan heeded the counsel of angels and transformed into a military leader, something her country needed but many feared. In this BYUtv original special, discover the stalwart spirit, military prowess, and enduring influence of Joan of Arc.
In 1425, France needed a miracle. What it got was a warrior. This is the true story of a peasant girl who emerged to lead an army and change the course of history. This is a docudrama portrait of a legendary heroine's story as seen through her own eyes, based on her own testimony. Discover one woman's journey to free her nation, and inspire the world.
According to an English legend, Joan of Arc never died at the stake. Her eyes were seared with hot pokers and she was deflowered by an English stud. She was then sentenced to wander on the battlefields, like a vulture, on the look-out for life and searching for any virgins left alive.
This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.
Inspired by Joan of Arc, Johanne follows a day in a life of the eponymous heroine. While set in medieval fantasy town, it explores the very current and urgent theme of preserving one’s humanity while struggling against inhumane environment, from modern feminist perspective.
With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.