Ambientada en un futuro cercano donde la IA está de moda y la naturaleza se está convirtiendo en un recuerdo lejano, Rachel y Alvy son una pareja de Nueva York lista para llevar su relación al siguiente nivel y formar una familia.

Tess, una inteligente secretaria de origen humilde, descubre que ha sido traicionada por su jefa. Es entonces cuando decide suplantarla durante una baja por enfermedad.

A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.

Cuestiona la línea invisible entre víctima y ejecutor, y cómo se cruza. Una película sobre el peso del patriarcado y la ilusión del maniqueísmo.

Apenas se han mencionado los votos de su propia boda cuando Andrea (Sanaa Lathan), la brillante pero estirada novia, ignora a su nuevo esposo Chris (Rockmond Dunbar), un bienintencionado trabajador de construcción, y empieza a observar al adinerado y apuesto William Cartwright (Cole Hauser). Cuatro años después, tanto Chris como Andrea trabajan para William (Chris en una construcción de Cartwright, Andrea es la experta en finanzas de la compañía). Ignorante del encaprichamiento y posterior romance de Andrea con William, Chris queda estupefacto al saber que la mayoría de sus compañeros de trabajo no saben que ella está casada. Luego, descubre una cuenta bancaria secreta a nombre de su esposa, con casi $300,000.

En Calcuta, Subrata Majumdar se esfuerza por mantener a su familia (esposa, hijo, hermana menor y padres) con el modesto e insuficiente sueldo que percibe como empleado de banca. Dadas las circunstancias, su esposa Arati plantea la posibilidad de ponerse a trabajar, pero Subrata lo descarta como algo contrario a la tradición familiar india. Sin embargo, al final, no tendrá más remedio que aceptar la necesidad de que Arati trabaje. (FILMAFFINITY)

Meg Wheeler llega a Manhattan en busca de empleo y de un buen marido. Encuentra trabajo en una empresa, de cuyo joven ejecutivo, Ross Taford, tiene que huir al tratarse de un empedernido acosador de jovencitas.

Alison Drake (Ruth Chatterton) administra una empresa de automóviles y mantiene una buena relación con sus empleados, en especial con los hombres, con los que suele tener fugaces relaciones sexuales. Un día, llega a su empresa el ingeniero Jim Thorne, un hombre independiente por el que se siente atraída.

Although free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.

Women cope with various problems while earning a living in the city.

Jane Vale es una exitosa empresaria de cuarenta años que lleva su empresa con mano de hierro. Acostumbrada a la adulación constante, un día un trabajador le propone mejoras en la producción con un sistema contrario al suyo. Ante la sorpresa de los directivos, Jane acepta la crítica y establece una relación muy cercana con el trabajador, mucho más joven que ella, que genera chismorreos.

Continuing the tradition of national artist Ishmael Bernal's benchmark film Working Girls after 25 years, Working Girls of 2010 depicts the role of women in the new millennium. Seven women of different backgrounds, stories and personalities entwined in a colorful story of family, love and life.

Emergency medicine intern Margaux can no longer stand it. During another very hectic and patient-filled shift, she forgets a homeless woman on a stretcher who then dies. Shocked Margaux has no choice but to continue working. But suddenly, her body starts sweating blood uncontrollably.

During a trip to the Philippines, middle-aged Norwegian Lars has met the Filipina he wants to share his life with, but to his surprise she turns him down. Lars now has to face his own prejudices and deal with this uncomfortable situation.

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.

Amidst the daily din of the local trains in Calcutta, a lonely working woman in her late fifties finds herself falling in love with the voice of the railway announcer.

Lizette, a waitress in a donut shop in small town has a milestone birthday coming up that she's not happy about. The only thing that could make it better is if her husband Terry buys her tickets to a Dan Hill concert in Toronto she wants to see. The problem is he will only go if his friend Simon goes and only if Simon has a date. The only person Lizette can find is Cheryl-Ann, a permanently happy, innocent waitress at the same donut shop, whom Lizette can't stand. When the night finally comes, things don't go as planned.

Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.