“Don’t Take Harlem is my personal love letter to Harlem. This project is dear to me because it allowed me to understand my hometown and the stories that could be extracted. The visual images shown through this film captures my artistic style in its most authentic form.” Marshall Wayne Cooper

Documentary on drug use in America

A 1977 film portrait of the 90-year-old photographer.

A French animated short film delves into a family living in Harlem's black ghetto, where a girl faces the choice between freedom and death. Features music by Johnny Otis.

A feature length documentary that tells the story of nine young men and women constructing positive lives as they face the challenges of growing up poor in one of America's most famous African American communities.

A well meaning Dr. lends his building to a group of neighborhood kids. When the neighbors learn that they are members Harlem tough -kid gang, they suspect that their operation there conducting nefarious deeds.

HIGH SCHOOL II is a film about Central Park East Secondary School (CPESS), a successful alternative high school in New York's Spanish Harlem, 85-95% of whose graduates go on to four year colleges. The film illustrates the school's emphasis on the “Habits of Mind” program (weighing evidence; awareness of multiple points of view; seeing connections and relationships; speculating on possibilities; and assessing values.) Sequences illustrating the school's approach to learning include: classroom activities in the humanities and sciences; family conferences; discussions of race, class, and gender; faculty meetings; disciplinary problems; sex education; conflict resolution by students; and student council meetings.

Dramatic events in a Harlem apartment house center around Pa Wilkins, chosen by the Better Business League to replace their ousted, crooked leader Marshall...who wants revenge; and Pa's ward Jim Bracton, a two-timing Romeo whose affairs are coming to a crisis. And hanging around is Marshall's murderous junkie henchman, Lomax. Will it all end in someone's being killed?

A cowboy helps a pretty young woman find lost gold. Restored by the Academy Film Archive with additional funding from the National Endowment for the Arts.

This acclaimed documentary depicts the sad life of the greatest of all jazz singers, Billie Holiday, a life engraved with personal tragedy and ultimately shortened by drug abuse and alcoholism. Her story and career are portrayed through rare archival film and television appearances, memorable renditions of her greatest songs, and interviews with friends and colleagues.

A Black night watchman at a chemical factory finds the body of a murdered white woman. After reporting it, he finds himself accused of the murder.

Harry Belafonte and Sidney Poitier travel down memory lane to see what life was like back in the 1920s. Harry Belafonte introduces this musical, written by poet and playwright Langston Hughes, which pays tribute to Harlem in the 1920's. Sidney Poitier provides commentary on the era throughout the program, and George Kirby and Nipsey Russell portray various Harlem characters. Program highlights include: Gloria Lynne singing "Good Ol' Wagon"; Brownie McGhee singing "Let the Deal Go Down"; Diahann Carroll singing "Nobody Knows You When You're Down and Out"; Sammy Davis, Jr., singing and tap dancing to "Doin' the New Low Down"; Joe Williams singing "Nobody Knows the Way I Feel This Morning"; and Duke Ellington performing "Sophisticated Lady" with a sextet.

The Harlem Blues & Jazz Band during its sunset years: 87-year-old Al Casey, who had worked closely with Fats Waller throughout the 1930s; guitarist Lawrence Lucie, 95 years young, from the bands of Louis Armstrong, Benny Carter and Duke Ellington; saxophonist Bubba Brooks, 79, who was with Bill Doggett; Edwin Swanston, 80, pianist with Louis Armstrong's Orchestra; 91-year-old drummer Johnny Blowers, ex-Bunny Berigan, Billie Holiday and Frank Sinatra; Ivan Rolle, 85, bassist with Jonah Jones; and 88-year-old Laurel Watson, one-time vocalist with Duke Ellington and Count Basie. Baron's cameras record the musicians through their tours and concerts, capturing their joy in performing together. A celebration of the jazz spirit.

Documentary about a rodeo that takes place, for the most part, in Harlem.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."

This jazz musical short has a comedy plot about marital infidelity. Bandleader Cab Calloway plays a ladies man who dates the wife (Fredi Washington) of a train porter who is frequently absent from home. Calloway and his Orchestra perform "Zaz-zuh-zaz" and "The Lady with the Fan" at the Cotton Club in Harlem.

Some of the world's best jazz, R & B, hip-hop, rap, gospel and Latin musicians perform classic and modern songs in this 2004 benefit show celebrating the 70th year of Harlem's famed Apollo Theater. Performers include Natalie Cole, Ashanti, Brian McKnight, Yolanda Adams with the Abyssinian Baptist Choir, James Ingram, Herbie Hancock, Branford Marsalis, Doug E. Fresh, Slick Rick, Patti LaBelle, Angie Stone and Arturo Sandoval.

An African-American GI retires from the US Army in West Berlin to live with his (white) girlfriend, who already has a baby with another black man. After an argument with her family, she deserts him as well. Despite finding a job and a new place to live, he keeps running into racism, which also manifests itself in sexual intimidation.

A girls’ basketball coach is fighting through a heroin addiction while mentoring a 12-year-old street kid adopted by Will and his wife.

Flea was a basketball player, happy with his subtle hustle, until a Dominican connect introduced him to a new way to spread the work and make money.