Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.
In the early part of this century, Maddelena a teenage Italian girl, is attacked whilst walking in the woods. The attack leaves her mentally scarred and our story flashes forward to the 1940s where Maddelena is still troubled. She disappears one day and her daughter vows to find her.
Set amid the military maneuvers and Quatorze Juillet carnivals of turn-of-the-century France, Jean Renoir’s delirious romantic comedy Elena and her Men stars a radiant Ingrid Bergman as a beautiful, but impoverished, Polish princess who drives men of all stations to fits of desperate love. When Elena elicits the fascination of a famous general, she finds herself at the center of romantic machinations and political scheming, with the hearts of several men—as well as the future of France—in her hands.
A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.
The only daughter of the Chief of a band of gypsies, Reshma is strangely drawn to the only son of a rich and wealthy man, Kunverji. Strangely enough also, she finds out that Kunverji has drawn a portrait of her's even before they met each other. When Kunverji looks into this further, he finds that both he and Reshma are lovers from a past birth, and they were fated to meet in this birth, as they were unable to wed each other in the last birth. This fascinates both of them, however, Reshma's and Kunverji's dads are furious at this, and attempt to make sure that the two are separated. Reshma has been promised to wed Shakti Singh; and Kunverji is to wed, Neha. Will these two lovers be separated again during this birth?
Store security guard Pietro spends his days catching shoplifters, his weekends visiting his children who are in custody of his ex-wife, and his nights thinking about new ways to flirt with the store's makeup consultant. His malaise psychosomatically manifests itself in nosebleeds, outbursts of anger, visions, etc. One day, he sees a young Gypsy girl steal something from the store and lets it slide: he can't explain why, but she caught his eye. Pietro and Pabe – that's her name – warily start to hang out, knowing each other more and more, until something begins to blossom in them. Could their shared dream for a new, more compassionate life finally be at their fingertips?
Based on Ivor Novello's hit stage play: an opera singer and her gypsy friends try to rescue their king from the clutches of a would-be dictator.
A female ‘gypsy’ – in the parlance of the time – must choose between helping her own camp or a kidnapped girl. The woman once fell in love with the local count. However, without hesitation, the count left her heartbroken for a rich aristocratic girl who seduced him. Years later, the count refuses to pay alms to the gypsy camp, so a couple of desperate gypsies decide to kidnap his five-year-old daughter. The scorned woman recognises her old beloved count in the child’s face and decides to do the right thing. (Stumfilm.dk)
Fadik is a street singer working with her three musician friends. They are homeless. As she sleeps on a deck of a boat, Erol finds her. He is the boat's owner yet she believes he is its captain. She runs into a gang and their bags get exchanged, she finds a fortune in her bag now. The money belongs to Erol, his friend Faruk robbed his factory. Fadik takes Erol as her servant, she doesn't know he is rich. Faruk's men kidnap the three musicians, Erol and Fadik meet, the police catches Faruk though he puts the blame on Fadik. In the trial the truth is revealed. In the end, Erol and Fadik start a happy new life so do the three musicians.
La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.
Burdened with prejudices, Haji-Toma kills his son who wants to marry a beautiful Gypsy girl Koštana, who is then forced to marry the man she's not in love with.
Murat has to marry someone if he is to collect his inheritance. So his lawyer decides to marry him to an inmate on death row. Naciye, who is sentenced to death, accepts the marriage proposal. They perform the wedding ceremony at the prison. But things don’t go as planned.
A film about an incident in the last war when a gypsy girl sacrifices herself for her lover, a partisan who has deserted.
Carmen is taking a course in her neighborhood studying home care for the sick and elderly, sponsored by the government with the aim of social inclusion of the Gypsy people. Meanwhile, behind the discreet behavior of her everyday life, Carmen has a secret love life that defies the strict rules of her community.