Foreign investors converge on a luxury hotel in China to bid on a new kind of radioscope. But, this is a hotel where Burns and Allen are the in-house medical staff, a measles risk sends the whole building into quarantine, and a madcap millionaire crashes dinner in his autogyro. Hotel and radioscope become a stage for an all-star cast of comedians and musicians, from vaudeville to the new generation.
The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Society heiress Joan Bradford rebels against her mother's choice of a future husband by masquerading as a working class girl and dating a window washer.
Bugs take over a kitchen, prompting a Bing Crosby-esque croon.
Show business twin sisters Rosemary and Susie, one serious and the other a scatterbrain, join the WAVES and both fall in love with crooner Johnny Cabot.
An all-girl band hits paydirt—and mud—when they sign a male crooner and then sell five 25% shares of his contract.
The lovesick B.O. Skunk is having no luck finding a mate, when Cupid gives him a book called "Advice for the Love-Worn" to help him out.
The iceman is in love with a pretty girl, and an old spinster is pining and cooking for him. But his dreamgirl prefers crooners like Bing Crosby, Rudy Vallee, or Eddie Cantor. After leaving her, he spots the sign of an imitator, and thinks he could ask him to do the crooning for him while he is trying to date his girl. The imitator accepts, and at first the trick is working, until the imitator gets too cold amid the ice in the back of the van and the girl gets suspicious.
Max Foster (Carl Betz), an American newspaper reporter, is in Hong Kong to assist a defecting Russian diplomat. In return for arranging an escape, the diplomat must turn over to Foster a diary revealing the true events taking place in China. While making his escape, the defector is killed ant the diary vanishes. The reporter sets off on a search for it, from Hong Kong to Australia. The chase ends in an action-filled climax, with the journalist finally meeting up with "That Lady from Peking" (Nancy Kwan) - the diplomat's daughter.
Porky runs a farm; we see him plowing the fields. But it's primarily a poultry farm; as the sign says, "For sale: Miracle eggs if it's a good egg, it's a miracle." A rabbit, doing a Jack Benny impression (Jack Bunny), paints and inspects eggs. He starts to smash and reject a black egg, but it hatches into a black baby bird doing a Rochester impression. We next visit the Eddie Cackler family, (Eddie Cantor) who have been trying without success to have a son; the next five eggs hatch, and they are again all girls. A Bing Crosby lookalike comes by with a stroller full of sons, and Eddie asks for his secret; he demonstrates by crooning to a chick, who lays dozens of eggs with boys names on them. Eddie croons to his wife, but in a higher pitch, then dances out singing the theme song to other caricatures. The egg hatches, but in answer to Eddie's question, is it really a boy? "Mmmm... could be."
Perry Como's last great concert special, filmed in Ireland and screened in 1994. Como appears before an audience of 4,500 in Ireland's celebrated Point Theater, with Irish President Mary Robinson and actress Maureen O'Hara in attendance.
In this musical short, a love columnist can't find her own love connection.
Complications ensue when a singer discovers he has a double in this musical short film.
An account of the life and work of the charismatic and seductive Spanish singer Julio Iglesias, from his beginnings as a soccer player in the Spain of the 1960s, in the midst of Franco's dictatorship, to his astonishing worldwide success.
At East London's LSO St Luke's, singer-songwriter Nick Lowe performs a set comprising of familiar songs from his long and illustrious career alongside new songs from his latest album At My Age. He's joined by a specially assembled band including longtime cohorts Robert Treherne on drums and Geraint Watkins on keys, plus a horns section featuring legendary bandleader and trombonist Chris Barber.
