این فیلم مجموعه ای از نامه ها ، عکس ها و نوارهای ویدیویی است که زنان اغلب آنها را به روزنامه های خاصی ارسال می کنند. این فیلم با تجسم قصه گویی آنها (نام روانشناسان به تخیلات آنها) اعترافات ، دلتنگی های پنهان ، ماجراها ، خاطرات ، رویاها ، آرزوها و خیالات این زنان را به تصویر می کشد. این یک راز آشکار است که اکثر زنان رویای کارهای حرام ، عاشقان راز و برخوردهای عجولانه را در سر می پرورانند اما وقتی مسئله به آنها می رسد ، جسارت لازم برای دنبال کردن رویاهای خود را ندارند.
A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.
In Skoddeheimen, Norway, 15-year-old Alma is consumed by her hormones and fantasies that range from sweetly romantic images of Artur, the boyfriend she yearns for, to daydreams about practically everybody she lays eyes on.
A group of friends in New York, working away at their PCs and laptops, keep in touch exclusively by phone and fax. They are all too busy to meet face to face. Gale plays matchmaker, by phone, to Jerry and Barbara who, in turn, hit it off beautifully – via phone and fax. Martin gets a telephone call from someone he's never met. It's Denise, with some extraordinary news. Tapping away at his computer all the while, he develops a sort of friendship with Denise – via phone. And so it goes as the friends, tap, tap, tapping away, share news, hopes, and dreams – via phone and fax. Finally Gale has an unfortunate encounter with a phone, Denise has some more news for Martin, and Frank plans a gala New Year's Eve party, but will he answer the door?
A desperate socialite seeks her missing husband, troubled by bad investments and debts, with help from a private eye and the high-priced call girl hubby had been seeing.
In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.