Un exitoso productor de cine erótico de Roma recibe regularmente cartas de fans femeninas que le piden consejo sobre cómo darle vida a su vida sexual. Gracias a sus años de experiencia tanto en el negocio del cine como en la industria del sexo, tiene todo tipo de consejos a mano y, en caso de emergencia, está encantado de visitar él mismo una visita a domicilio para demostrar sus cualidades en persona.
Barry (Adam Sandler) es un tipo solitario y poco sociable que fue educado entre siete hermanas. La sobreprotección que se le dispensó desde niño le ha impedido enamorarse. Un día descubre un fallo en un concurso y gana miles de millas en billetes de avión. Viajando, conoce a una misteriosa mujer (Emily Watson) con la que inicia una romántica aventura. (FILMAFFINITY)
Ross es un drogadicto cuyo principal camello se queda sin existencias, teniendo que realizar algunas tareas para un hombre que sí las tiene. Delirante comedia alrededor del mundo de las drogas, un título de cine independiente (fue rodada en 22 días) por el antiguo director de videos musicales Jonas Akerlund (realizó videoclips para Madonna, U2 o Moby, entre otros) con un reparto lleno de caras conocidas.
Alma es una joven adolescente con imaginación activa y una líbido aún más desarrollada. Todo cambiará tras un encuentro con un rompecorazones, Arthur, que la convierte en una persona poco popular.
A group of friends in New York, working away at their PCs and laptops, keep in touch exclusively by phone and fax. They are all too busy to meet face to face. Gale plays matchmaker, by phone, to Jerry and Barbara who, in turn, hit it off beautifully – via phone and fax. Martin gets a telephone call from someone he's never met. It's Denise, with some extraordinary news. Tapping away at his computer all the while, he develops a sort of friendship with Denise – via phone. And so it goes as the friends, tap, tap, tapping away, share news, hopes, and dreams – via phone and fax. Finally Gale has an unfortunate encounter with a phone, Denise has some more news for Martin, and Frank plans a gala New Year's Eve party, but will he answer the door?
A desperate socialite seeks her missing husband, troubled by bad investments and debts, with help from a private eye and the high-priced call girl hubby had been seeing.
In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.