젊고 아름다운 여인 ‘소피아’ (알리시아 비칸데르) 그녀의 남편 거상 ‘코르넬리스’ (크리스토프 왈츠) 그리고, 이들의 초상화를 그리는 매력적인 화가 ‘얀’ (데인 드한) 17세기 암스테르담 튤립 열풍보다 더 뜨겁고 치명적인 사랑과 위험한 거짓을 그린 클래식 로맨스
가난한 화가 이벤은 간신히 그림 한 점을 판 후 센트럴 파크를 거닌다. 그러다 이벤은 유행이 지난 구식 옷차림을 한 소녀 제니를 만난다. 제니와의 짧은 만남은 이벤에게 깊은 인상을 남기고, 주로 풍경화만 그렸던 이벤은 기억을 더듬어 제니의 초상화를 그린다. 한편 이벤은 종종 제니를 다시 만나는데, 그때마다 뭔가 이상하다는 것을 깨닫기 시작하는데...
Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions..
The story of a rabbi and his talking cat, a sharp-tongued feline philosopher brimming with scathing humor and a less than pure love for the rabbi's teenage daughter.
Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.
We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.
A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.
In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.
In October 2006, 25 artists came together to paint Supreme Court Justice Sandra Day O'Connor. The result was a collection of vastly different images of this iconic figure. This film chronicles the process from the initial setting (where Justice O'Connor entertained the room) to the evening when the paintings were unveiled at the National Portrait Gallery.
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
About the artist John-Erik Franzén and his work to portray the Swedish Royal family 1984-85.
Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.
“The Dreamlife of David L.“ is a fictional feature film that takes inspiration from a key point in the life of director David Lynch: the time he spent as a student in a fine arts college. Initially attracted to painting, David Lynch ends up choosing the medium of film to express his talent. Far from being an attempt at biography, this film is an imaginary vision where the action could take place today. Which encounters or events leave their mark on the young David L. during this year as a student? “The Dreamlife of David L.” is a dreamlike journey that leads the viewer through the meanderings of this art school. There’s no need to be familiar with the cinematographic works of Lynch to follow the young David L. step by step, going behind the scenes with him.
This documentary brings alive a remarkable artist’s passionate journey through a turbulent century. Both epic and surprisingly intimate, the film presents a classic American immigrant saga, an inspiring search for artistic independence, and a great romance. Along the way, Biberman's growing commitment to social justice and struggle against McCarthy-era repression (his brother, director Herbert Biberman, went to prison as one of The Hollywood Ten) combine with his efforts to create both a loving family life and a groundbreaking body of work. With its grand scope, rich personalities, and vast array of breathtaking artwork, Brush With Life connects us in a deeply personal way to a brilliant artist who lived by the same high standards he set for his paintings.