Factory worker Doug Quaid takes a virtual mind-trip vacation with the Rekall company, opting for implanted memories of being a spy. When the procedure goes wrong, Quaid becomes a wanted man by the police and joins forces with a rebel fighter to stop the evil Chancellor Cohaagen.
High school senior Tara is so painfully shy that she dreads speaking to anyone in the hallways or getting called on in class. But in the privacy of her bedroom with her iPod in hand, she rocks out -- doing mock broadcasts for Miami's hottest FM radio station, which happens to be owned by her stepfather. When a slot opens up at The SLAM, Tara surprises herself by blossoming behind the mike into confident, "Radio Rebel" -- and to everyone's shock, she's a hit!
STARMANIA is a cyberpunk rock opera that premiered on stage in 1979. In the near future, most developed countries have merged. Zéro Janvier, CEO of the biggest corporation in "The Occident" (as the new Western state is known) is campaigning to become President on a platform vowing to eliminate the terrorist group The Black Stars and their leader Johnny Rockfort. He has convinced the Stars' information broker Sadia to secretly work for him, while also courting the retiring film star Stella Spotlight. Meanwhile, Johnny Rockfort plans to kidnap television sweetheart Cristal, but he falls in love with her instead. Overlooking all this is Marie-Jeanne, a waitress in the café where the Black Stars meet, and her friend Ziggy, an obsessive David Bowie fan whose dearest wish is to appear on Cristal's music program STARMANIA. The show recounts these entwined love stories set in parallel, touching also on themes of terrorism, totalitarianism, and an individual's right to decide his own destiny.
In the early eighteenth century, foreign rule means dark times for the Hutsuls of the Carpathians. The two Dovbush brothers become opryshkos - mountain outlaws. But the two brothers become enemies - one cares only about money, the other - Oleksa - fights for his people. The Carpathians are convulsed with a wave of uprisings. The aristocracy uses its military might to try to kill Dovbush and destroy his legend. But Dovbush outwits them. The desperate lords devise a devious plan and attack the invincible outlaw's Achilles heel - his love for his childhood sweetheart, Marichka. Who will be the assassin to attack the Opryshko whose immense strength and bravery inspired folk tales? Will the lords' treacherous plan destroy the hero before he can lead his people to freedom?
The story of the "Hutsul Robin Hood" Oleksa Dovbush, an 18th century Carpathian Mountains outlaw who's a popular figure of Ukrainian legend.
In 1912, Javanese activist Omar Said Tjokroaminoto co-founds the Sarekat Islam party to fight injustices of the Dutch East Indies' colonial regime.
A rebel's son, Kumander Idel (Manny Pacquiao) pursued his father's work as an outlaw who hides in the mountains with a group of men creating chaos on the corrupt officials who continue to oppress people. Just like a typical anti-hero, he carries a big gun with sexy girls shooting guns along with shootouts in the jungle. Using his own unique code of honor, he applies justice to all those who deserve punishment. He eventually should make a choice between his values and a chance for an easier life.
As Carpathian legend has it, Oleksa Dovbush was a heroic outlaw with excellent fighting skills and a gift to predict the future. He was left an orphan as a small boy after a local lord murdered Oleksa's mother. After spending his childhood in exile in the mountains, he returned as a grown man to avenge his mother's death. Oleksa gathered followers to begin a crusade against the lord, but destiny made other plans for him.
A revolutionary is sentenced to death for his anti-national activities. And so begins a battle of wits between the prison officer and his comrades, who try to rescues him with the help of the reluctant hangman who has been selected to deliver the punishment.
The Bolshoi’s grandiose epic Spartacus recounts the story of a Roman slave’s fight for freedom. With its famous Khachaturian score, since the 1960s it has been considered one of the greatest ballets in the Bolshoi repertoire. The choreography by Yuri Grigorovich fills the Bolshoi stage with dynamic scenes of tension and conflict, and gives full expression to the virility and strength for which Russia’s male dancers are renowned.