'היו זמנים בהוליווד' של קוונטין טרנטינו מתרחש בלוס אנג'לס של שנת 1969, שבה הכל משתנה וכוכב הטלוויזיה ריק דלטון וכפיל הפעלולים שלו משכבר הימים קליף בות' מוצאים את דרכם בתעשייה שאינם מזהים עוד. סרטו התשיעי של הבמאי-תסריטאי מציג אנסמבל שחקנים גדול ומספר קווי-עלילה במחווה לרגעיו האחרונים של תור הזהב ההוליוודי.

Pierre is a clumsy, overly serious math teacher at an all-girls high school. His life is thrown into chaos after encountering a beautiful British actress and the paparazzi that follow her around.

Cruze arrives in town and when he stands up to the three Moran brothers, he gets appointed Marshal. First the brothers kill a rancher while framing another man. But when the jailer is murdered, Cruze gets evidence the Morans did it. He tries to raise a posse to chase them down but the townsmen refuse to go. So he rides off by himself to face the three of them.

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

Naive Iowa farm boy Lewis Tater dreams of being a famous Western novelist like his hero, Zane Grey. He leaves home to answer a writing correspondence course's ad for on-campus classes, only to discover that the school consists of a row of postboxes at an isolated Nevada train depot. On the run from the con men responsible, Lewis stumbles across "real" cowboys--cowboy actors shooting a movie in the desert. The would-be writer soon finds himself instead acting in Westerns, for the rundown Tumbleweed Productions studio, in Depression-era Hollywood.

An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.

The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.

First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

This documentary traces the history of the B-Western from it's silent movie origins to its demise in the early 1950s. The film contains a large number of scenes from early silents and seldom seen films, as well as old photographs of the stars and one-sheet advertisements for lost films.

Mac is at the threshold of losing everything while directing his feature film.

On the Run from the Law, the criminal Rolling Chambers Has to escape the law before it is too late

Joe and Benny are two cowboys on tour in the Wild West as a singing duo, usually without a penny in their pockets to spare. Joe is a talented rodeo-rider, which fascinates the little girl Susanne and gives her the wish to have him as a father. Her mother Maria, however, is to marry the evil, rich farmer Dave. Susanne wants to stop the wedding, so she sneaks aboard Joe and Benny's wagon to persuade them to intervene. Dave brands them as kidnappers, forcing them to flee as outlaws to one of the families tyrannized by Dave. Together, they strike back at Dave, at which point Maria sees that he's the wrong man for her.

Comedian Rich Hall goes west to find out what killed off that most quintessentially American of all film genres, the western. Through films such as The Searchers, The Man Who Shot Liberty Valence, Little Big Man, The Wild Bunch and Unforgiven, Rich charts the rise and fall of America's obsession with its own creation myth - the Wild West. He explores how the image of the cowboy as a moral, straight-talking heroic figure was created by Hollywood but appropriated by Washington, as one president after another sought to associate themselves with this potent symbol of strength and valour.