Passionate about ocean life, a filmmaker sets out to document the harm that humans do to marine species — and uncovers an alarming global conspiracy.

Never-before-seen footage shows how our living in lockdown opened the door for nature to bounce back and thrive. Across the seas, skies, and lands, Earth found its rhythm when we came to a stop.

When National Geographic photographer James Balog asked, “How can one take a picture of climate change?” his attention was immediately drawn to ice. Soon he was asked to do a cover story on glaciers that became the most popular and well-read piece in the magazine during the last five years. But for Balog, that story marked the beginning of a much larger and longer-term project that would reach epic proportions.

A giant octopus, whose feeding habits have been affected by radiation from H-Bomb tests, rises from the Mindanao Deep to terrorize the California Coast.

Five times, Earth has faced apocalyptic events that swept nearly all life from the face of the planet. What did these prehistoric creatures look like? What catastrophes caused their disappearance? And how did our distant ancestors survive and give rise to the world we know today?

Revolution is a new movie from internationally-acclaimed filmmaker Rob Stewart. A follow-up to his award-winning documentary Sharkwater, this continues his remarkable journey of discovery to find out that what he thought was a shark problem is actually a people problem. As Stewart's battle to save sharks escalates, he uncovers grave dangers threatening not just sharks, but humanity. In an effort to uncover the truth and find the secret to saving our own species, Stewart embarks on a life-threatening adventure through 15 countries, over four years in the making. In the past four years the backdrop of ocean issues has changed completely. Saving sharks will be a pointless endeavor if we are losing everything else in the ocean, not just sharks. Burning fossil fuels is releasing carbon dioxide into the atmosphere; changing the oceans, changing atmospheric chemistry and altering our climate.

A team of scientists search for the lost island of Testerep in front of the Belgian coast, venturing into artificial landscapes and virtual realities.

Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and fifty years of commitment. It's his most personal film. The photographer and director tells the story of nature and man. He also reveals a suffering planet and the ecological damage caused by man. He finally invites us to reconcile with nature and proposes several solutions

Flyways follows endangered migratory shorebirds as they travel their ancient migration routes around the planet. Using nanotechnology and global tracking from the International Space Station, the project will uncover the paths of the world’s greatest, feathered endurance athletes and shine a light on the scientists and international lawyers who are collaborating to save them.

Over three very personal films, Sir David Attenborough looks back at the unparalleled changes in natural history that he has witnessed during his 60-year career.

NGC visualizes in spectacular HD the devastating ecological impact each single degree increase in temperature could have on our planet over the next century.

Iranian siblings got the ashes of their recently deceased mother from America to Iran to spread them into Lake Urmia.

"It's Okay to Panic" is a nostalgic portrait of Professor Szymon Malinowski, a 62-year-old atmospheric physicist at the University of Warsaw who worries that climate change may cause human civilisation to collapse in the coming decades. A career educator, Prof. Malinowski studies phenomena leading to climate changes and for years he has been raising the alarm about the threats we face. The film visits him at a moment when he must deal with a personal tragedy which prompts him to evaluate the way his country has changed during his lifetime, for better and for worse.

Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”