Ella Adoo-Kissi-Debrah was a nine-year-old girl who lived in south-east London and died in 2013. The cause of death was listed as air pollution, now her mother is fighting to make clean air a human right.
Greed, power, innocence, tragedy. Following the path of a money bill, since its printing until its final destination, the audience is introduced to the extremes our society is made of. How far would you go for a piece of paper?
On a winter night in 2002, a couple in their early 20s is breaking up atop a bridge, when the woman falls down. Is it a suicide or accidental death? The man asks a friend to call an ambulance, but the woman dies. The man and his friend are imprisoned for murder when an eyewitness reverses her original statement and says that she saw the two men throwing the woman from the bridge. After more than a decade, director Shih Yu-Lun collaborates with the ‘Taiwan Innocence Project’, a private organization that helps innocent people who have been unjustly convicted, to re-investigate the case.
River of Tears and Rage is a film culled from Kodao Productions' Facebook Live coverage of Baby River's wake and burial. Amid a raging coronavirus pandemic, a dead three month-old infant became a symbol of political repression by a regime denounced worldwide for its crimes against the people.
Shuja’iyah: Land of the Brave represents one filmmaker’s personal reflection on the meaning of “crimes against humanity” in the context of Israel’s ‘Operation Protective Edge’ waged in the Gaza Strip in 2014, using footage of her family filmed in the summer of 2013 juxtaposed against audio from the summer of 2014. Assali posed the question, when we say ‘crimes against humanity’, what ‘humanity’ are we talking about?”
Lee Yunjeong, my mother, who was devoted to church, stopped attending after the Sewol ferry disaster. Instead, she started going to work at the office of a human rights group for migrants in Ilsan. As her daughter and a film director, I began filming her surprising and unfamiliar transition.
Set during the second Intifada, this documentary follows four Palestinian families living in Dheisheh Refugee Camp near Bethlehem. Fadi is 13 and cares for his 4 younger brothers, the Hammashes are a close-knit family who pass on the lessons of life with humor and passion, Sana is a single woman who endures long commutes to do community work, and Emad and Hanan are a young couple trying to shield their daughter from the harsh realities of the occupation. They talk about their past and discuss the future with humor, sorrow, frustration and hope. Until When paints an intimate in-depth portrait of Palestinian lives today.
A Litany for Survival' explores the shades between love, rage, and rebellion as a black person surviving in America. Two months before the shocking revelation of Daniel Prude's murder video surfaced, BLM activists organize at the Mayor's house to make their case for equal human rights in the heavily segregated city of Rochester, NY.
Children play amidst cycles of thunder and violence.
Anaben Pawar is an elderly tribal woman accused of witchcraft in rural India. Through Ana's story, we delve into a deep-rooted culture of patriarchy and examine one of the most monstrous attacks on women's bodies in modern India: the witch-hunt.
After a year and 10 months in power, the Macapagal – Arroyo regime has committed 967 cases of human rights violations in the Southern Tagalog Region. “Alingawngaw ng mga Punglo” discusses the grim human rights situation in the region. It seeks to let the voices of the victims be heard: their anguished cry for justice and call for lasting peace.
On 28 October 2015, a migrant boat left the coast of Western Turkey heading to the closest European coast – the Greek island of Lesvos. The shipwreck resulted in the death of at least 43 people, making it the deadliest incident of that period, also known as “the long summer of migration.” One of the survivors, the artist Amel Alzakout, recorded the journey and the shipwreck on a waterproof camera attached to her wrist. This footage – which also forms the basis of her subsequent film Purple Sea – provides a unique situated perspective on this tragic event at the threshold of Europe.
Benjamin Woolley presents the gripping story of Nicholas Culpeper, the 17th century radical pharmacist who took on the establishment in order to bring medicine to the masses. Culpeper lived during one of the most tumultuous periods in British history. When the country was ravaged by famine and civil war, he took part in the revolution that culminated in the execution of King Charles I. But it is Culpeper's achievements in health care that made him famous. By practicing (often illegally) as a herbalist and publishing the first English-language texts explaining how to treat common ailments, he helped to break the monopoly of a medical establishment that had abandoned the poor and needy. His book The English Physician became the most successful non-religious English book of all time, remaining in print continuously for more than 350 years.
"Ni Coupables, ni victimes" ("Not Guilty, Not Victims") is a polyphonic conversation gathering the words of some of the protagonists at the European Conference on Sex Work, Human Rights, Labour and Migration, Brussels (2005). They speak of the complexity and nuances of the sex industry and their lives: the challenges and the struggles of being a sex worker in Europe today, the repressive policies affecting their lives, and the strategies of resistance enabling them to do their work, build their desires and plan their futures.
What is right, but wrong.
Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.
An undercover documentary film produced and directed by British filmmaker Dominic Brown, about the struggle of the indigenous Sahrawi people of Western Sahara. The documentary covers the current human rights and political situation of the Sahrawi. There are several interviews recorded with human rights victims including an elderly lady who had been attacked in her home the previous day by Moroccan security forces. There is also a focus given to the alleged vested interests of countries in the region, particularly France. The film states that the French Government's close relationship with Morocco, their trade deals and their use of veto over the terms of the UN mission in Western Sahara are major factors.