A young man seeking a father he has never met, through no fault of his own, ends up barricaded in a liquor store with five other people on Christmas Eve in the fictitious town of El Camino, NV.

City police surround a building, attempting to capture a suspected murderer. The suspect knows there is no escape but refuses to give in.

Brad has committed murder and barricaded himself inside his house. With the help of his friends and neighbours, the cops piece together the strange tale of how this nice young man arrived at such a dark place.

After committing a murder, a man locks himself in his apartment and recollects the events the led him to the killing.

In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.

After a robbery gone wrong, Aaron - barricaded in a rest stop bathroom - faces down the police, hallucinations, and a grim secret.

Followers from around the world travel to Mount Carmel to hear the preaching of David Koresh, a local Texas working-class kid turned prophet of God and leader of the religious group The Branch Davidians.