In seguito allo scontro con un animale posseduto da un demone il principe Ashitaka viene contaminato da una maledizione mortale. Si mette dunque in viaggio per scoprirne l'origine e chiedere una cura al grande Dio Bestia, l'unico in grado di guarirlo. Arrivato nelle regioni da cui proveniva la bestia scopre una guerra tra uomini e una forma primitiva di animali della foresta, giganti, senzienti e aiutati da quella che chiamano la Principessa Spettro, una ragazza cresciuta dai lupi che ha rinnegato gli uomini. Dall'altra parte gli uomini, capitanati da Lady Eboshi che gestisce con amore, giustizia e pietà il suo villaggio di fabbri, vogliono lavorare la montagna e abbattere gli alberi per poter estrarre il ferro (fonte di ricchezza). In mezzo un gruppo di monaci cerca di fomentare gli uomini ad uccidere il Dio Bestia e rubarne la testa perchè, si dice, fornisca l'eterna giovinezza.

Il "popolo invisibile", selvaggia tribù amazzonica, rapisce il piccolo Timmy, figlio di un ingegnere che dirige i lavori di costruzione di una immensa e anti-ecologica diga. Passano dieci anni: Timmy, ormai uomo, considera gli indios come la sua vera famiglia, ma conserva anche qualche vago ricordo del padre che, da parte sua, non ha mai rinunciato alla speranza di ritrovarlo vivo. Dopo varie avventure, padre e figlio si rincontrano, ma il richiamo della foresta sarà più forte di quello del sangue e il ragazzo non soltanto deciderà di restare con quella che è ormai la sua gente, ma riuscirà anche a convincere il genitore a far saltare la mastodontica diga.

2067: la Terra è sull'orlo del collasso. Dopo anni in cui quasi nulla si è fatto per fermare il cambiamento climatico, la vita vegetale si è estinta e la quantità di ossigeno si è drammaticamente ridotta. L'umanità è minacciata da un letale "mal d'ossigeno", in quanto l'ossigeno artificiale, unica fonte di aria respirabile, sta facendo ammalare milioni di persone. Senza cure in vista, la Chronicorp, leader mondiale nella fornitura di ossigeno sintetico, ha costruito una macchina quantistica per sondare il futuro alla ricerca di un contatto con i nostri discendenti.

When a well-known environmental researcher is murdered in the Amazon jungle, an arrogant photojournalist joins forces with a beautiful young activist to find out who is responsible. Along they way, they fall in love as they discover the men responsible for the killing would be more than willing to murder again if it will keep them quiet.

David Attenborough e lo scienziato Johan Rockström analizzano il collasso della biodiversità sulla Terra e in che modo questa crisi possa ancora essere evitata.

Una maestosa montagna, conserva la sua selvaggia bellezza immutata da secoli. È abitata dai Signori della Montagna che la custodiscono. Essi sono discendenti di grandi guerrieri che si stabilirono lì secoli e secoli fa. Quando sia la montagna che i suoi abitanti, vengono minacciati dall'avanzamento della speculazione, questi ultimi, sotto la guida dei Signori della Montagna sapranno combattere come i loro valorosi antenati, per salvare la Montagna con le sue impenetrabili foreste dalla fantastica e selvaggia bellezza.

Il pastore Elzéard Bouffier, con impegno costante, riforesta da solo un'arida vallata ai piedi delle Alpi, vicino alla Provenza, nella prima metà del XX secolo.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Forget all you have heard about how “Renewable Energy” is our salvation. It is all a myth that is very lucrative for some. Feel-good stuff like electric cars, etc. Such vehicles are actually powered by coal, natural gas… or dead salmon in the Northwest.

Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

When a wealthy real estate company, backed by a powerful minister decides to build a township in a reserve forest area, it cuts off access to the water body to the elephants living in the area, endangering their lives. An eco-warrior decides to fight for their cause at a time when nobody else would.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.

Narrated by Mel Gibson, The Last Trimate is a compelling account of the work of Birute Mary Galdikas -- who, alongside Jane Goodall and Dian Fossey, is one of the three formidable women to have dedicated their lives to the great apes of the world -- she highlights the plight of the elusive 'red ape' and offers some hope for their survival as their very habitat is decimated at a startling rate.

Filmmaker Michal Siewierski embarks on an audacious journey to expose the real reasons behind the Amazon forest fires and the alarming rate of deforestation in Brazil. Ranging from people’s food choices, to major political corruption, corporate greed and crimes against people and nature. Takeout tackles the facts and stories that traditional media outlets are too afraid to cover.

In this second film in the Bomba, the Jungle Boy series, Bomba tracks a dangerous panther.

An anthropologist goes to the mountains to study the problems of the indigenous people and finds out that they are being dispossessed of their lands.

Living in an ancient redwood tree for more than two years to prevent the tree from being clear-cut, Julia Butterfly Hill captured our hearts and minds by showing us that one person can make a difference. Through interviews with Hill, filmmaker Doug Wolens paints a portrait of an intensely spiritual and articulate woman who encountered both beauty and horror (she was assaulted by lumber company helicopters at one point) during her time above ground.

Her name is Green, she is alone in a world that doesn't belong to her. She is a female orangutan, victim of deforestation and resource exploitation. This film is an emotional journey with Green's final days. It is a visual ride presenting the treasures of rain forest biodiversity and the devastating impacts of logging and land clearing for palm oil plantations.