The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

A madman sets out to destroy a group of Chinatown merchants.

Feature version of the 1936 serial starring Bela Lugosi. A European importing firm resorts to devious extremes to run its Chinese competition out of business.

A Chinese-American woman tries to expose an illegal alien smuggling ring.

Soon after a Chinese princess comes to the US to buy planes for her people, she is murdered by a poison dart fired by an air rifle.

A restless Chinese sea captain makes a stopover in Hawaii. While ashore, the captain befriends a Hawaiian-Chinese family and, at the mother's request, teaches Chinese to her children. He falls in love with the daughter (Siu Fei Fei) although he must soon depart with his ship. Eventually he returns, "rescuing her from the natives," and takes her back to China.

A Chinese-American cop, skilled in martial arts, battles the most powerful criminal gang in San Francisco that is responsible for the death of his partner.

This raw, gutsy portrait of New York's Chinatown captures the early days of an emerging consciousness in the community. We see a Chinatown rarely depicted, a vibrant community whose young and old join forces to protest police brutality and hostile real estate developers. With bold strokes, it paints an overview of the community and its history, from the early laborers driving spikes into the transcontinental railroad to the garment workers of today.

Two cabbies search San Francisco's Chinatown for a mysterious character who has disappeared with their $4000. Their quest leads them on a humorous, if mundane, journey which illuminates the many problems experienced by Chinese-Americans trying to assimilate into contemporary American society.

Through a series of flashbacks, four Chinese women born in America and their respective mothers born in feudal China explore their pasts.

Diversity trainer Lee Mun Wah assembles a diverse group of eight American men to talk about their experience of race relations in the United States. The exchange is sometimes dramatic as they lay bare the pain that racism in the US has caused them.

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

Ella is a divorced Chinese American taxi driver who spends her days ferrying people around the roads of Sausalito, San Francisco. After work, she spends time with her 8-year old son, Scott. Ella meets Mike at Sky House, an infamous pick-up joint. Awkward strangers at first, they nonetheless find passion and what they want in each other.

A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.

A documentary on Chang Apana, the Chinese-Hawaiian police officer who was the inspiration for the character of Charlie Chan.

Short documentary on the screen depiction and public reception of fictional Chinese-American detective character Charlie Chan, as well as cultural perceptions of Asians during the 1920s and 1930s.

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

A young David Gan joins the WWII effort, eager to serve his country. Feelings of exclusion as a Chinese-American disappear in the Army. After experiencing the loss of so many fallen comrades, David dedicates his life to those who never came home.

Questions of race, identity and heritage are explored through the lives of young American women growing up as adoptees from China. These four distinct individuals reflect on their experiences as members of transracial families.