The race is on - for the Viceroy's Cup.
A man living between dream and reality, making the woman he fell in love with as a statue and falling in love with her and then killing her in his dreams.
The Lecturer, leader of the Feminine League Against Frivolity, tells the history of eroticism and censorship from the beginning of time until the late 1960s.
It is a sex education film of sorts dedicated to all forms of human sexuality.
A man tries to speak, but his mouth is covered. He then undresses and gestures with his hands, but they are tied. Next, he tries to dance a tango, but his feet are tied. He attempts to communicate by shaking his genitals, but they are held against his leg. Finally, he moves his nostrils, but they are pinned shut. Thus, he dies. Only surviving short from the National Film Meeting against censorship held in the Santa Fe Railway Union in November 1970.
Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.
A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.
When a big TV crusader Melvin P. Thorpe threatens to expose the Chicken Ranch to public scandal and close it down, Miss Mona doesn't go down without a fight.
Rock music. If there are abuses, what are they, and how serious can they be? Through the combined research of the Parents Music Resource Center and Teen Vision, the themes of aggressive rebellion, drug/alcohol abuse, explicit sex, the occult, and violence found in some of today's music are examined in this eye-opening video. 30 minutes of carefully documented evidence sure to change the way you and your children listen to music!
"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
The screening of a movie "Daybreak" at the "Liberty" Cinema is interrupted by an unusual event - actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur.
Simon Phoenix, a violent criminal cryogenically frozen in 1996, escapes during a parole hearing in 2032 in the utopia of San Angeles. Police are incapable of dealing with his violent ways and turn to his captor, who had also been cryogenically frozen after being wrongfully accused of killing 30 innocent people while apprehending Phoenix.
The history of film and video censorship in Great Britain.
Close-up to the man who censored films during the military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
A documentary primarily focusing on the filming and release of the original Texas Chainsaw Massacre.
This documentary, filmed over a 10-year period, centers on the debate over censorship as it follows Vancouver's Little Sister's Bookstore and its 20-year struggle with Canada Customs over the seizure of books. In the face of bigotry, bombings and repeated book seizures, it wages the most important legal battle in history against Canada Customs.
The history of the irreverent "The Smothers Brothers Comedy Hour" and the content battles it fought with its television network.