Pablo confesses a crime to Anders, who has a hidden agenda.
A new concept horror IP cross project that turns six selected works out of 19 serial webtoons of the same name (Tastes of Horror) into movies. "DingDong Challenge: The reason why you shouldn't do dance challenge carelessly", "Four Legged Beast: Story of meeting a doppelganger with broken neck", "Jackpot: what happened when I took a taxi nearby", "The Residents-Only Gym: A woman who appears after 10 PM", "Rehabilitation: Cruel clinical trials currenly underway in the lab", and "Gluttony: The strange things that happened during a live broadcast."
A cybercrime investigator tracks a man suspected of force-feeding women to death.
The animated story of a very very hungry cat.
In one of the first films to use computer animation, director Peter Foldès depicts one man’s descent into greed and gluttony.
After falling pregnant to Perth, her boyfriend's best friend, Ice commits suicide. She returns to haunt Perth while Tan seeks out the person who made her kill herself for his own revenge.
يصل شخص غريب إلى قرية صغيرة وبعد فترة وجيزة من انتشار مرض غامض. شرطي ينجذب إلى الحادث ويجبر على حل اللغز لإنقاذ ابنته.
The Seven Deadly Sins - Are they true to being called sins or are they simply human impulses? To what is a sin and what is not? Such is a question worth pondering. In the end - do as you wilt.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
One day, an ever-growing man goes out for dinner in a posh restaurant. He devours everything around him, from the food on his plate to buildings, cities, and planets, ultimately eating the entire universe.