Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
A l'Anglaterra victoriana, una bella dona (Ingrid Bergman) es casa amb un famós pianista (Charles Boyer). La felicitat desapareix quan a la casa, on anys enrere es va cometre un assassinat, la dona comença a sentir sorolls estranys i inexplicables; mentrestant, el seu marit la turmenta fins a fer-la creure que s'està tornant boja.
Laura, a Spanish woman living in Buenos Aires, returns to her hometown outside Madrid with her Argentinian husband and children. However, the trip is upset by unexpected events that bring secrets into the open.
Picking up moments after the end of Marius, this film follows Fanny’s grief after Marius’s departure—and her realization that she’s pregnant. Panisse continues courting her and embraces the baby’s impending arrival as a gift, so long as its paternity remains a secret. Fanny and Panisse wed, but after her baby’s birth, Marius returns unexpectedly and demands what he believes is still his.
Lily i Richard es muden a una comunitat luxosa, on la Lily s'inquieta per la transformació que observa en el seu espòs i en la seva pròpia fisiologia, la qual cosa la porta a preguntar-se si hi ha quelcom més sinistra en joc.
In 1880s London, pornographic bookseller Verloc is a double agent for the Russian government, providing information to Chief Inspector Heat about a lazy anarchist organization. In order for the anarchists to be arrested, an act of terrorism must occur. So Verloc decides to set up bombs – which leads to tragedy – not only for himself but also for his family, including wife Winnie and brother-in-law, Stevie.
Loosely based on 1957's "Our Sister Hedy" and 1961's "The Greatest Civil War on Earth", this romantic comedy follows the Wong household, where the father acts as the glue that holds everyone together while Mambo, the protagonist and third daughter, tries to get her other sisters hitched.
IL CAMPANELLO DI NOTTE, Farce in one act by Gaetano Donizetti, is set in Naples. Don Annibale Pistacchio, an old apothecary, have just married the young Serafina. Enrico, former lover of Serafina, interrupts constantly the wedding night showing on several disguises and calling at Pistacchio's drugstore by ringing the night bell, asking the unfortunate groom a preposterous list of prescriptions.
Donizetti’s timeless comedy shines in Otto Schenk’s enchanting production, conducted by James Levine and featuring a remarkable cast. The incomparable Anna Netrebko is Norina, the young widow beloved by Ernesto (a suave Matthew Polenzani), who is about to be disinherited by his miserly uncle, Don Pasquale (John Del Carlo). It takes the clever scheming of Dr. Malatesta (Mariusz Kwiecien) to set things right and to teach the old curmudgeon a lesson—fits of temper, mistaken identities, and all kinds of comic confusion included.
In 1916 the Santiago society shuddered with the crime of a wealthy businessman. Corina Rojas, his young wife, was the first woman sentenced to death in Chile and her story inspired the first national feature film.