A small town girl and a city boy meet on the Sunset Strip, while pursuing their Hollywood dreams.

Almost a decade has elapsed since glam-rock superstar Brian Slade escaped the spotlight of the London scene. Now, investigative journalist Arthur Stuart is on assignment to uncover the truth behind the enigmatic Slade. Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade.

If you want to know what is Slam, you have to come see it. Freaks, piercings, thongs and a lot of cream. 100% wild.

The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East.

On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.

Todd Loren, whose scandalous series of unauthorized comic book biographies of rock stars enraged and sometimes charmed his subjects, provoked numerous lawsuit threats from the likes of Bon Jovi, Guns N Roses and Skid Row, and eventually led to a landmark First Amendment case, all before he was savagely murdered in 1992. Includes first hand accounts from many of the artists and writers who were inspired and exploited by Loren, along with interviews with Alice Cooper, Mojo Nixon and more.

This is the inside story of the Freddie Mercury you never knew: a behind the scenes story focusing on the two years that changed his life, from the summer of 1985 at Live AID when he achieved his greatest musical triumph to the spring of 1987 when he faced his deepest fears and was diagnosed with AIDS. It’s the true story of his battle to keep his privacy against a prying tabloid press, to work despite crippling pain and to confound science and save his life.