how many candles are in this club?
Portrait documentary of four different road cycle racing teams and what how much fun it is to be part of the cyclist movement.
A short documentary film about the director's relationship with his deceased grandfather.
In 1970, Dennis Hopper shot 'The Last Movie' in Chinchero (Peru), an enigmatic Western about the possibility of an indigenous rebellion against a Hollywood film crew. 44 years later, two filmmakers arrive at Chinchero with the intention to make a new film with the villagers about Hopper’s legacy.
The village council deals with a rape of a lower caste minor girl within the narrow spectrum of caste politics.
Brazil is going through a political crisis which even representatives of our institutions reproduce speeches that seek to criminalize social movements by framing them as terrorists. The short "Teto Pra Quem" seeks to question the brutality of common sense fueled by the conservative wave by opposing it to the reality of thousands of families and their struggles in the pursuit of one of their most basic human rights: living under a roof.
1972. During the government of Salvador Allende 34 artists made works that were included in the construction of the UNCTAD III building, today GAM. After the 1973 coup, few works survived looting and destruction. 40 years later, Joaquín Maruenda, son of the late sculptor Félix Maruenda, finds a record that leads him to investigate the events of the sculpture "Chimeneas" and its possible restoration. Joaquín, artists and workers involved with the construction of the building, will try to answer the question Why did they destroy the art?
"Lobão - Não Há Estilo Sem Fracasso" investigates the artistic career of Lobão, one of the most famous musicians of brazilian rock in the 80s. From some interviews with people such as Edgard Scandurra, Liminha and Marcelo Sussekind, this short movie shows various points of view about music industry and it presents hits of Lobão such as "Das Tripas Coração" and "Mal de Amor".
A Jared Hess documentary
"Double Quotes" delves into a filmmaker's journey of self-discovery as he navigates through the intricacies of India's Constitution, uncovering the absence of a definition for "untouchability" in Article 17. Through encounters with legal experts and introspective reflections, the documentary explores the implications of this omission on societal perceptions and the persistent challenges of caste-based discrimination.
Sugaring time marks the end of the Quebec winter, and the traditions associated with this highlight of the year are centered around the sugar shack. The production of maple syrup, as much as the gatherings it causes, has been anchored in Quebec culture for hundreds of years, and the transmission of the know-how it requires is more often than not a story of family. Our meeting with 5 Quebec families producing maple syrup, professionally or artisanally, highlights this tradition which is still evident and lived today. From tapping trees to manufacturing maple products, Oh Sirop is interested in maple growing practices that are part of history, which are passed down and adapted from generation to generation.
A short film documenting street protests against the filming of William Friedkin's Cruising (1980)
An insightful, personal, and heartfelt spotlight on Professor Jennifer Dorothy Lee of the School the of Art Institute of Chicago.
This is Black is a conversation with and for the black community. We aim to dismantle the stereotypes and get rid of the stigmas by telling a few people's stories! Embark on a journey of spoken word and true stories!
Upon learning of his father's terminal illness diagnosis, a young, autistic, hearing-impaired music composer and sketch artist travels back to his home to be with him and his mother.
Chronicles of the cultural life of Tashkent (2007 – 2015). From the murder of Mark Weil to the wedding of Alisher Usmanov. Tashkent Biennale, apartment buildings, video art festival, conversations about nothing, amateur performances and operational shooting, advertising and much more. Tashkent, which no longer exists, just as these people are no longer in it.
Filming for this picture took place in Russia over the course of a quarter of a century: in 2000, 2010 and 2022. The film is preceded by an epigraph: “The fate of every person depends on the country where they live, just as the fate of a country depends on its citizens”.