يتجلّى الحبّ في الماضي والحاضر عندما يساعد صحفيّ فضوليّ امرأةً شابّةً على كشف أسرار عائلية بعد وفاة والدتها التي جَفَتها.

تدور احاث الفيلم حول (تريفور رزنيك) وهو ميكانيكي يعمل في مصنع, ويعاني تريفور من أرق مزمن اصابه منذ عام وبسبب ذلك اصبح نحيلاًَ جداًَ, الامر الذي ادى التي تدمير حياته من ناحية نفسية فيعيش حالة سيئة من جراء عدم تمكنه من النوم, يحاول تريفور ان يعرف ما الذي اوصله لهذه الحالة من البؤس والعذاب, فأصبح يظن ان هناك شخص ما يحاول تدمير حياته, على الرغم من انه يرى هذا الشخص إلا ان الجميع يقولون له بأنه ليس موجود.

تتصاعد الاحداث وتسوء حالة تريفور ويتسبب من دون قصد في قطع ذراع أحد زملائه بالمصنع فأصبح مكروهاً ومنبوذاً من الجميع, وفي يوم من الايام تعلق ذراعه في ماكينة في المصنع ولكنه ينقذ ذراعه في اخر لحظة, ويتهم كل من في المصنع بأنهم متأمرون ضده فيتم طرده من العمل.

وبمرور الوقت، يختلط الأمر على تريفور ويفقد القدرة على التفرقة بين الحقيقة والخيال مما يقوده إلى حافة الجنون.

Balan, a columnist, falls in love with his schoolmate, Sheela. What happens when Balan comes to know that Sheela is in a relationship with Rahul?

An old widower, Jasper, routinely makes coffee in two mugs and picks up trash around his community. Some of his more interesting finds speckle his home. His neighbors mostly disregard him. On one of his regular hunts, he chances upon an envelope. To his surprise, he finds old wedding photos and presumes the addressee, Angie, to be the bride. Determined to complete the delivery, Jasper follows a map to the address. When he finally arrives, his excitement is upended when Angie, now divorced, rebuffs him and the photos. He leaves her with an open invitation to his home, should she change her mind. The next morning, Jasper starts his routine-only to find Angie at his door. After a heart-to-heart on loss and new life, Jasper invites Angie to pick up trash with him. Together, they go.

Revisit photographs created by Kentucky school children in the 1970s and the place where their photos were made. Photographer and artist Wendy Ewald, who guided the students in making their visionary photographs, returns to Kentucky and learns how the lives and visions of her former students have changed.

A recently-widowed mother is gifted an antique photo that happens to harbor the presence of a sinister spirit within its frame.

Art Kane, now deceased, coordinated a group photograph of all the top jazz musicians in NYC in the year 1958, for a piece in Esquire magazine. Just about every jazz musician at the time showed up for the photo shoot which took place in front of a brownstone near the 125th street station. The documentary compiles interviews of many of the musicians in the photograph to talk about the day of the photograph, and it shows film footage taken that day by Milt Hinton and his wife.

October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.

The sinking of the Titanic sent shockwaves around the world and started debates that continue to this day. But new, explosive evidence from the most unlikely of sources may finally lay all arguments to rest and reveal, for the first time, the full story of what possibly doomed the "unsinkable" liner. Join us as we unveil recently discovered and never-before-seen photographs of the super ship that exposes shocking clues that investigators and historians once dismissed but can no longer ignore.

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.