The guys talk about "buying things for free".
Meet Andrew Lindy: a man with a camera and sex on his mind. Andrew is a New Yorker who travels the world to capture beauty for various freelance jobs. Andrew chases beauty but he longs for a connection. On an assignment for ELLE magazine, Andrew travels to Cuba and brings his camera and appetite for women with him. This is a look at the lack of sexual taboo in Cuba, as well as the financial difficulties that lead to prostitution in some Cubans, for the purpose of survival.
Experimental animation film, with a visual focus on geometrical shapes and straight lines
At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară
A documentary that investigates the complexity of a nation, Albania, through the narration of the convoluted history of its monuments. What happens to the statues when they are destroyed, what are they replaced with and where do their marble shreds end up? What happens to their expensive bronze? And again: what do the sculptors who made these statues think of these destructions, what is their opinion. And today? Which statues are being destroyed in Albania today?
The story of Fred Paterson, member for Bowen in the Queensland parliament in the 1940s and the only Communist Party member ever elected to any Australian parliament.
Director Eugenia Gutu offers a feminist critique of gender (in)equality under socialism in this documentary portrait of an industrializing town and its model citizen, Florica S.
A public service announcement condemning the ominous obstacle of social parasitism and delinquency amongst wayward youth unwilling to contribute to Romania’s socialist advancement.
In the 1970s, Baptist priest Radu Cruceru sacrifices everything to keep Christianity alive in Communist Russia.
A film about the dramatic and extraordinary fate of the lonely man who confronted the meat grinder of the communist regime. Georgy Konstantinov, 19 years old, blew up Stalin's monument in Sofia and death passed him by only because the dictator died two days later. He miraculously survived 10 years in prison and psychiatric wards and managed to escape to France. His State Security file numbers more than 40,000 pages. Even today, he does not cease to expose the crimes of the regime with the strength of truth and of his character.
As the Communist Party of China celebrates its 100th anniversary, this documentary looks back at the party’s history, from the 1920’s, to the Civil War, the Great Leap Forward, the Great Famine, the Cultural Revolution and the reforms by Mao Zedong and Deng Xiaoping. Did the Great Famine cost more than 15 million lives? How does the Cultural Revolution continue to shape Chinese politics today? What was capitalism like after Mao’s death? Through rare and never-before-seen historical footage, expert interviews and eyewitness accounts of the Great Famine, Tiananmen incident, and the Cultural Revolution, get to know how one party has so profoundly shaped China.
1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.
"A Home On The Range" tells the little-known story of Jews who fled the pogroms and hardships of Eastern Europe and traveled to California to become chicken ranchers. Even in the sweatshops of New York they heard about Petaluma where the Jews were not the shopkeepers and the professionals, they were the farmers. Meet this fractious, idealistic, intrepid group of Eastern European Jews and their descendants as they confront obstacles of language and culture on their journey towards becoming Americans. Jack London, California vigilantes, McCarthyism, the Cold War and agribusiness all come to life in this quintessentially American story of how a group of immigrants found their new home, a home on the range.
Filmmaker Ronald Levaco, journeys back to China, the nation of his boyhood days, to discover what became of an old friend of his family, Israel Epstein.
On the island of Rügen in the Baltic Sea lies one of the most megalomaniac projects built by the Nazis. The ‘Monster by the Sea’, a colossus of brickwork that stretches for kilometres, intended as a futurist holiday resort for the inhabitants of the Third Reich. A paragon of ‘guilty architecture’. Later occupied by the communist regime, it has since the fall of the Wall fallen victim to property developers who have found it a tough nut to crack. Nico Weber’s Inside Prora uncovers the storied history of a project that symbolises the utopian intentions of modernism and the emergence of mass tourism.
In the film, images from archives of photographic documentation of encounters between politicians and activists in India with their counterparts in Japan, Mao’s China, and other Asian countries from the mid 1950s to the early ’60s are overlaid with transcribed dialogue from Jean Luc Godard’ s 1967 film La Chinoise, creating a conversation between historical archives, photography, cinema, and art.
"This wonderful age in life where every thought strives toward an ideal, toward work, toward the future." Sahia Studios propaganda flick about how adults and their "those darn kids" attitudes affect adolescents.