Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.
Rakel, Marta, Karin and Annette are married to four brothers. While waiting in a summer cottage for their husbands to come home, they tell each other stories about their marriages. Rakel tells about the time she had an affair and confronted her husband with it. Marta's story is about how she at first refused to marry and had her child by herself. Karin tells about what happened when one time she and her husband got stuck in an elevator together. While the women tell their stories, Marta's younger sister Maj is planning to elope.
Tennis star and women’s rights activist Billie Jean King won a total of 12 Grand Slam titles, but the biggest match of her career took place in 1973 against former men’s champion Bobby Riggs, a self-proclaimed male chauvinist pig who declared that, even at the age of 55, he could beat any woman in the world.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
Margaret (Lena Headey) is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish neighbor Syl Monro (David Threlfall). Both bride- and groom-to-be still live with their mothers in the humdrum suburb of Croydon. However Margaret has been acting strangely ever since a vacation in Egypt, where she stayed with her mother's friend Marie-Claire (Catherine Schell). She secretly despises Syl, but does not resist when her mother Monica (Julie Walters), who has repressed the failure of her own matrimony, insists on marriage for the sake of social convention.
Lady Parts is a dramedy feature film where a young woman’s sex life becomes a family affair when she has to undergo a vulvar vestibulectomy. Her loving, but overbearing parents help her through recovery (despite her cringing) and learn that saying “vagina” loud and proud is the first step to advocating for herself in all aspects of her life.
Would-be filmmaker Sophie left Africa for Canada as a child. After graduating, she films the daily doings as part of a summer job at a fair. When pointing the camera at herself, she reveals painful secrets from the past.
Dutch ice freediver Kiki Bosch swims in the world's coldest waters without a wetsuit as therapy for a trauma she experienced, and to inspire others.
Sweet Sixteen presents eight 16 year old girls that unveil themselves through 8 bittersweet monologues. All highlighted in a evocative and poetic setting, the characters deliver on different themes; self-image, eating disorders, anxiety, their first love, their first kiss, friendship, sorority, sex, rape, incest, social media, social and political revolts. Constructed as a symphony form, the piece of work goes through four movements and is musically supported. The strong visual identity forces the movie to define itself somewhere between full feature film and object of art. Sweet Sixteen is a cinematographic adaptation done by Alexa-Jeanne Dubé from the play of the same name written in 2018 by the late Suzie Bastien.
After the death of a patient, Crimera Pharmaceuticals, assigns the task of finding out what happened to Dr. Elena Pizano, a clinical trial analyst. She must do this with the help of the efficient and reliable artificial intelligence entity: KODA. During her findings she will come across data gaps in one of the drugs being studied, uncovering a darker truth in the world of medicine. As the organizations try to hide the information, she must decide how to handle the secrets she's just uncovered.
She is a full-length documentary about writer Aimée Baker and her award-winning poetry collection Doe. Doe is her quest to give voice to the missing and unidentified women of the United States.
The inspiring story of a young Indian Muslim woman who trades her burka for dreams of playing on the Mumbai Senior Women's Cricket Team and how the harsh realities for women in her country creates an unexpected outcome for her own family, ultimately shattering and fueling aspirations.
Every Shadow Seems Alive
Dian is the most beautiful girl in the village, numerous men have approached and even proposed her. The villagers gossip about Dian's single status. In one occasion when they rode a truck to visit (tilik) Bu Lurah (head of the village) in the town's hospital, some villagers debated who would marry Dian. The "tilik" journey then full of gossips and adventures for the villagers on that truck.
Mikha is a nail artist who is very passionate about her work. She works so hard that she sometimes forgets to spend time with her family. She wishes her husband could have more time for the family, so that her child doesn't need to be taken care of by his mother all the time. They argued a lot about who should take care of their children. Mikha feels that her nail art studio is not suitable for her child's growth. She wanted her daughter's life to be better than the bitter stories of her clients.
"Monday's Girls" explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity.
A night in the life of two blacklight gossip queens in the year 2999.
In recent years, the number of diagnoses of attention-deficit hyperactivity disorder has skyrocketed. What are the reasons? Does a society geared towards efficiency use the label ADHS to weed out anyone who does not fit its frames? What are the consequences of the fact that medication treatment has become almost ubiquitous? Could Ritalin and the like have become the doping of the performance society?
Story of three women who are subjected to various forms of patriarchy and exploitation by the men around them and the society at large.