Džims (Džeisons Bigs) un viņa draugi satiekas pludmales mājā pēc savas pirmās universitātes gada. Tur Džims cenšas uzlabot savas seksuālās prasmes ar Mišelu (Alisons Hennigana), savu bijušo izpūtēju no absolvēšanas balle. Tā laikā Kevins (Toms Iens Nikols) mēģina atgūt Viki (Tara Rīda), Ozs (Krisa Klaina) uztur attālinātu attiecību ar Hetaru (Mena Suvari), Finčs (Eddijs Kei Tomass) praktizē tantra praksi, un Stiflers (Šons Viljams Skots) ķeras pie savām jocībām un izpildījuma dzīvnieciskajām izpausmēm. Starp smiekliem, nekārtībām un kaitinošām situācijām draugi plāno rīkot savas dzīves lielāko ballīti.
In the ancient village of Shivapuram, little Ananthan hears a tale from his mother, Gayathri (Revathi). She tells him that his family comes from a line of powerful magicians, and they are responsible for protecting nagamanikyam, a jewel on a serpent's head. The jewel, she narrates, lies in a secret place in the house guarded by snakes, including a tiny snake called Kunjootan. Years later, obeying the wishes of his dead mother, Ananthan (Prithviraj Sukumaran) returns to his ancestral village to light the lamps at Shivakavu, a dark and mysterious temple of Shiva.
Kumaran Thampi, a wizard, is not able to keep his vow of celibacy. This keeps getting him into many troubles, most of which are lethal.
Suresh Gopi's character name in this film is Rudra Simhan who is a yogi who gave up all worldly pleasures by listening to the call of his soul. When he comes back to his homeland after a long journey he comes in to the life of Haimavathi.
Rakshasa Tantra is a story of a group of friends who come online on a video call to catch up and chat with each other. Soon they come across dangerous content on the dark web.
The Bauls of West Bengal are nomad musicians who practice a traditional form of concert challenged by the increasing modernization of India.
The term "Fous" here refers to those inspired and wandering musicians of Bengal known as Baül. The word Baül is derived from the Sanskrit word "vatul," which means "mad" in the sense that it commonly connotes a more or less frenetic behavior in French. The Baül are peculiar individuals, particularly in their mannerisms, customs, and practices. Although they may belong to either the Hindu or Muslim religion, the Baül refuse to be guided by any social or religious conventions. Freedom of spirit is their only guide. They thus move against the tide of habits, preconceived notions, and general theories. "Le chant des fous" (The Song of the Mad) is a film made by Georges Luneau.