A sculptor, an enemy of modern art, sets an example. He sculpts a statue of Venus in the style of the Greek antiquity and buries it in a forest. When it's dug up in 1930, it's considered to be a 2 000 year old, antique statue.
Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might still produce something worthwhile.
An agoraphobic children's book illustrator is trapped inside her home by two young psychos-in-love, who terrorize her. It is only when her young son is threatened that she manages to overcome her paralyzing fears and attempt to leave her home to save him...
This documentary celebrates the work of illustrator Reynold Brown, whose colorful and compelling art graced over 300 movie posters during the 1950s and '60s, ranging from star-studded westerns and studio epics to sensational creature features and low-budget B-movies. Art historians, writers, and movie producers discuss Brown's art within the context of the post-war social climate and an ever-changing movie industry.
For the first time ever, Tasha Tudor has permitted a film crew unprecedented access to document her daily life. An intimate and charming portrait of one of America's best-loved artists.
Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.
Lynne Cherry is an author, illustrator, environmentalist, and naturalist. This documentary covers an assortment of her books and activism to save the Belt woods.
Psychological thriller larded with manga-like animations about the young, poor comic strip illustrator Nina, living with her mean landlady. She sinks further and further into a violent fantasy world.
A modern love story in which a misanthropic, emotionally complex author of a hit children's book is forced to team with a beautiful illustrator after his best friend and collaborator passes away. As Henry struggles with letting go of the ghosts of love and life, he discovers that sometimes you have to take a gamble at life to find love.
Len Lye (1901-1980) was a pioneer of experimental animation, and also of kinetic sculpture. This short film dramatically presents 18 minutes inside the head of the artist as a teenager. The opening scenes are set in New Zealand in the year 1917, on the day when Lye (setting out on his bicycle to deliver newspapers) makes his excited discovery that motion can be the basis for a radically new approach to art.
The lives of several couples and singles in New York intertwine over the course of New Year's Eve.
Superman, Batman, Spider-Man, The X-Men – characters recognized all over the world, and have gained even wider popularity through television and film. What may not be known is that, since the 1970’s, Filipinos have had a significant contribution in these and other characters’ mythologies. In terms of comic book history, these creators are often left unaccredited or, at worse, neglected entirely for their accomplishments. “Illustrated By”: Filipino Invasion of U.S. Comics is a full-length documentary film tracing the phenomenon of Filipino comic artists breaking into the U.S. mainstream. The movie aims to pay tribute to many of these ignored, unacknowledged talents, and showcase their gorgeous artwork.
A futuristic love story set in a world where emotions have been eradicated.
A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.
Isi doesn't get the world anymore. Just a short while ago, life was wild, fun, and without obligations, but suddenly everyone around her seems to be grown-up and successful. With her diploma in one hand and a drink in the other, she is stuck between the careless days of college and real life. When her best friend Lotte gets a respectable job and becomes pregnant, Isi realizes that she needs to find a way to start living a life on her own.
An illustrator can't find the perfect guy, so she draws her own.
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
An account, in his own words and those of his relatives, of the life and work of the brilliant Manuel Pérez-Sanjulián Clemente, one of the most important Spanish illustrators of all times.