Argentina har landssorg. Året är 1952 och Eva Perón har dött, endast trettiotre år gammal. Men vem var hon, kvinnan som kom från ingenstans och på kort tid blev en av världens mest inflytelserika personer? Argentinarna såg henne som sin räddare och frälsare. Omständigheterna kring hennes död gjorde henne till martyr i folkets ögon - för Argentina blev hon Sankta Evita - helig och odödlig.
Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.
A film about the life of Juan Ramón Duarte, Evita's only brother. His ascent, his excesses, and his demise, in the times of Juan Domingo Perón.
Based on a true story, the film narrates the life of a fictitious Peronist union leader who, after years of militancy, gains power in the union during the 1960s and gradually becomes a corrupt bureaucrat.
In a popular auction that matches the sinister and colorful of a circus of phenomena, a couple adopts children in exchange for their belongings. The children there acquired, usually mutilated, are in their new home in order to prepare for access to the Peronist education program taught in only 10 state institutes.
The Pulqui jet was also designed and built in Argentina by 1947. It was the first aircraft of this type to be manufactured in Latin America. The project is the initiative of Juan Domingo Peron, who also wanted an aircraft capable of competing with the Soviets and the Americans. It is thus that the Pulqui has its baptism recognized flight before the MIG -15 and F -86 Sabre, suspiciously similar design to Pulqui. The project was cut short Pulqui the 1955 coup. But in the documentary, the plane Peronist have a second chance from the hand of the artist Daniel Santoro and Michael Biancusso engineer and metallurgist, who reconstructed thus scale to relive an epic Peronist.
Musical documentary based on the stories of four women who studied to become nurses in the school of the Fundación Eva Perón in 1948, which was one of the institutions that helped pave the way for change for women in Argentina. The testimonies from the protagonists are reenacted in the form of a musical, in a film that combines archival footage and choreography.
A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.
In 1946, President Peron started a secret nuclear project with the help of Nazis refugees which consisted in the use of a new method "Nuclear Fusion". Five years later, he would announce to the world his succeed. Even today, no country around the world has achieved it.
