In 1980s Naples, Italy, an awkward Italian teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

A manic-depressive mess of a father tries to win back his wife by attempting to take full responsibility of their two young, spirited daughters, who don't make the overwhelming task any easier.

Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.

A creative and driven teenager is desperate to escape his hometown and the haunting memories of his turbulent childhood.

Eugene, an aspiring writer from Brooklyn, is drafted into the US Army during the final months of World War II. For his basic training, the Army sends him to Camp Shelby in Mississippi, where toil, bad food, and antisemitic jibes await. Eugene takes refuge in his sense of humor and in his diary, but they won't protect him in a battle of wills with an unstable drill sergeant.

From Spike Lee comes this vibrant semi-autobiographical portrait of a school-teacher, her stubborn jazz-musician husband and their five kids living in '70s Brooklyn.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

We'll Never Have Paris is a clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back "the one."

This semi-autobiographical film by Barry Levinson follows various members of the Kurtzman clan, a Jewish family living in suburban Baltimore during the 1950s. As teenaged Ben completes high school, he falls for Sylvia, a black classmate, creating inevitable tensions. Meanwhile, Ben's brother, Van, attends college and becomes smitten with a mysterious woman while their father tries to maintain his burlesque business.

A drama loosely based on Spielberg's own childhood.

Set in Kensington, a working-class district of Liverpool, England in mid-1950s, this is the story of eleven-year-old Bud, a sad and lonely boy. With cinema as his main source of solace, he haunts the local 'picture-house'. All the while, his family looms large in our peripheral vision as do the menacing bullies of his school, but Bud is the centre of attention both from the camera's angle and from his doting family.

Avalon is the third in Levinson's semi-autobiographical series of four "Baltimore Films": Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.

Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to and admires. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.

One day, hospital orderlies, watching corpse in the morgue, recognize film director. Man, even though he died, he begins to remember his life. He made a career making movies, had numerous mistresses, but never realized their dreams. His life was interspersed with many setbacks that enfeebled him from the inside. Although he made a career in film, he was not happy with his life.

A destitute 14-year-old struggles to keep his life together despite harsh abuse at his mother's hands, harsher abuse at his father's, and a growing separation from his slightly older brother.

1982, a film inspired by true events at the onset of the crack epidemic in Philadelphia, tells the story of a father and his efforts to protect his gifted daughter from the insidious epidemic which has literally come home via her drug-addicted mother. As his wife becomes more distant and unreliable, he struggles to raise his daughter on his own, while still striving to help his wife become clean. In the process, he learns some hard truths about his marriage and his life, which will ultimately test him as a parent, a husband, and a man.