The documentary Custodians – A Story of Ancient Echoes follows the journey of a local community in Herschel, Saskatchewan during the summer of 2021 as they work to preserve and protect the pastureland, native grasslands, and important Indigenous artifacts found near the village. Upon discoveries of dinosaurs, marine fossils and significant Indigenous sites and petroglyphs on nearby farmland, an aging population of community volunteers come together to preserve the land and its stories including the Indigenous history, paleontology, and local ecology. “We have found a living library” says Métis Artist Jo Cooper who has spent the past 20 years in Herschel working alongside locals. The stories of the land and the echoes of the past form new friendships, unravel mysteries and model a potential for deep justice, reconciliation and healing between people and the land.
In the form of a poetic love letter to its nation, this short film reveals a strong community and the anchoring of the new generation in this rich culture.
Colebrook Blackwood Reconciliation Park is where the Colebrook Training Home once stood. It is now a permanent memorial for the Aboriginal children of the “Stolen Generation” and their families.
An aging ex-convict tries to reconnect with his estranged son after finding out some life-changing news.
Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.
A grieving young woman must overcome her personal demons as she is stalked by a tall, eerie entity.
After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.
Relatos de Reconciliação is a broadcast project that artistically interprets the interviews and testimonies of some victims who suffered different types of violence in Colombia.
Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.
Dawn Mikkelson’s Risking Light is a meditation on forgiveness, layered with a theme that is rarely seen on the screen—forgiving the unforgivable. Five years prior to making the film, Mikkelson met Mary Johnson and O’Shea Israel, a meeting she describes as a life-changing event that would lead to the development of Risking Light. It was then she learned that Johnson had chosen to forgive Israel for the murder of her son, which motivates the tone of humanistic mission in the film.
Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce.
After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.
Black soldiers are captured by red soldiers and shot dead. Then, red soldiers capture black and shoot them. And so on to the bare end.
A man tries to reconnect with his father who works at a laundrette.
Jerry and Connie are engaged to be married, but they're also rival newspaper reporters, and when they're both assigned to cover the same murder case, the temptation to out-scoop the other threatens their relationship.
From the director who gave us Tanging Yaman, Laurice Guillen, is back with another heart-warming family drama which teaches us about love, faith and life. Sa ‘Yo Lamang stars Lorna Tolentino, Bea Alonzo, Coco Martin, Enchong Dee and Miles Ocampo. Dianne Alvaro (Bea Alonzo) seems to have a happy family. She and her mom (Lorna Tolentino) just bought a house for them, her younger siblings are doing great at school, and her boyfriend of two years is already preparing for their future together. But everything in her life shatters when her dad, Franco (played by Christopher De Leon), returns after ten years of being with his mistress.
After thirty years in prison, ex-con Ronnie recruits his grandson to exact revenge on Darryl, the cop who put him behind bars. Standing in their way is Ronnie's son, whom Darryl raised.
A scheming musician seduces a wealthy woman for love and money.