Den unge, amerikanske balletdanserinde Susie flytter til Berlin i 1970'erne for at danse i et berømt kompagni. Kort forinden er en aldrende psykolog, dr. Klemperer, blevet opsøgt af en pige fra samme ballettrup, som hævder, at der er okkulte kræfter løs på danseskolen. Pigen er siden forsvundet under mystiske omstændigheder, og det mørke, som huserer på skolen, truer nu også med at opsluge Suzy.
Selv i cheerleading bliver der dystet. To hold konkurrerer om det årlige mesterskab, og pigerne kæmper hårdt for ære og anerkendelse. På Rancho Carne High School i San Diego har skolens cheerleading trup, The Toros, haft vind i sejlene de sidste fem år. Nu står truppen til at skulle have en ny leder, Torrance (Kirsten Dunst), og hun forventes at hente trofæet hjem i den årlige nationale cheerleading konkurrence. Men det er ikke uden problemer at gå efter guldet, der er uro i geledderne og den nye, rapkæftede Missy Pantone fra L.A. (Eliza Dushku fra Buffy – Vampyrernes skræk) skaber yderligere bøvl.
Der er audition på Broadway, og en hel hob af håbefulde dansere satser hver især på at få deres store chance. Men først skal de vække instruktøren Zachs interesse. Han får imidlertid lidt af et chok, da hans tidligere flamme Cassie træder ind i salen - desperat efter et job.
Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of 2009.
As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.
BTS perform their Japan concert at Tokyo Dome and Fukuoka Yahuoku Dome during their Love Yourself World Tour.
CYCLES is a playful, sweetheart choreography, circling through the madness of grief.
After being fired as a manager, a music mogul decides to start a boyband of his own in this spoof of popular boybands like *NSYNC and Backstreet Boys.
Two young strangers meet in Naples and begin to flirt and dance in the street.
After his wife’s death, Michael loses track of what’s important. That’s why it’s strictly business between Michael and Faith, the attractive nanny he’s hired to take care of his troubled 7-year-old daughter, Lily. When Faith helps Lily deal with her mother’s death, she earns a place in Michael’s heart. But to keep Faith in their lives, Michael has to decide what’s really important to him.
Olivier Assayas’ Eldorado is a riveting documentary chronicling the efforts of Ballet Preljocaj to choreograph an otherworldly icon of 21st century music: Karlheinz Stockhausen’s ethereal Sonntags-Abschied.
BTS perform their New York concert at Citi Field Stadium during their Love Yourself World Tour.
This short film showcases six production numbers from various Warner Bros. musicals.
On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.
Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would.
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.
This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.
CRAZY BELCHES OUT A GHOST. From there on the two women, almost Siamese in their connection, will fight until one remains. The film's explores cinema and dance from a perspective outside either discipline's language
The Man is bound in an endless loop of fascination with a woman who haunts his thoughts. On the brink of a breakdown he desperately tries to break free before he is consumed.
After their getaway goes wrong, two bank robbers (sisters Connie and Sly) set off a nearby car alarm. The siren pulls them into a trance-like state, making them perform a wild, hypnotic dance around the vehicle.