Most 72 is the very first film essay directed and produced by The Markerists and the inaugural installment in the series 'Most'. The footage and the audio were recorded in a single day on June 17th, 2013 on location in Auschwitz-Birkenau with post-production being completed within 72 hours. Surbhi Goel, a professor of cultural studies from India on her first trip outside of her homeland, recorded extemporaneous impressions as she walked the grounds of the death camp with the filmmakers. These were later used as the voice-over narration. The project serves as the template in which future Markerists film essays will be produced--shot and recorded on location and completed immediately afterwards, staying relevant in this age of instant global communication.
During the Second World War 6 prisoners are being held in a prison cell in Concentration Camp Amersfoort, Holland. Their fate is unknown. This night has an impact for many years and in many lives.
This is a story of faith, renewal and redemption. Joe Engel, with an unwavering will to live, overcame unimaginable horrors to become a treasured citizen, community leader, teacher and philanthropist.
In the heart of colonial Senegal, moving to the devastating battlefields of Europe during WWII, Awa and Ibrahim are a young couple whose lives are upended by war. Their love story takes a tragic turn when Ibrahim is conscripted and later presumed dead in 1940. Driven by love and hope, Awa embarks on a perilous journey to Paris in January 1942, seeking any trace of Ibrahim. She finds refuge in the Paris city mosque, alongside Jews evading Nazi persecution. However, her quest leads her to Auschwitz, where, in a twist of fate, she miraculously finds Ibrahim alive.
A look at the Nazi "show camp" used to fool the world while they carried out their "Final Solution".
A sickly scrawny man in a striped uniform takes a shaving brush and foam, and with a sharp blade, he shaves the back of the head of Rudolf Höss, the commandant of the Auschwitz camp himself. They will never speak with one another, and Joseph (we only learn his name during the credits) will never harm Höss, will not stop the flood of horrible murders with yet another murder. This short sketch about life of a death camp makes us feel pain and grief of millions of people who had passed beyond the walls of the shaving room during the imprisonment of Joseph, the man who outlived his torturer.
This film takes a look at the French concentration camp at Rivesaltes. It does not deal with the site of memory but rather memories of the site through the concrete and physical data visible on the ground perceived as a holed-out space mined by disappearance, in particular the buildings, which subsist as ruins. This film is less preoccupied with drawing lessons from history than fuelling the present with a history that, like a blinding mirror, is of the utmost concern.
Britain welcomes children liberated from the notorious Bergen-Belsen concentration camp.
Former inmates and American soldiers remember the cruel conditions in Buchenwald concentration camp.
Documentary about Finnish Jews during WWII and their unique position as German allies.
Recently, two photo albums with photos from Auschwitz were found in 1944. One belongs to Officer Karl Höcker and the other prisoner Lili Jacob, who survived the concentration camp. The pictures taken during the same months show completely different worlds. A documentary that once again tells this important and awful part of Europe's history.
Panics, orchestrated crises, media hype and propaganda have been used in the name of “protecting the people” for generations. CNN, the Southern Poverty Law Center and other media outlets air special reports and name call anyone who questions the government as conspiracy theorists in an effort to suppress information. Yet, with the de-classification of decades-old documents, it can be found that many of these “conspiracy theories” are not so theoretical after all. This film takes a look at the government and media manipulation of an unwitting public, and plans that have been laid out through legislation, Executive Orders and Presidential Directives that pave the way for the elimination of many, if not all, of our most basic rights. Enemy of The State: Camp FEMA Part 2 thrashes out the mission of a police state and the implementation of martial law.
George Stevens's remarkable film is acclaimed by historians as the most important colour footage taken during the war. Milestones covered include the liberation of Paris, the link-up between the Russian and American armies on the River Elbe and the Allied capture of the Dachau concentration camp.
A rich widower impregnates a poor young woman and dumps her. Her brother, member of a resistance group during the Occupation, tries to mend things up.