Une jeune femme japonaise détient le secret qui pourrait mettre fin à la malédiction des Saeki. Elle voyage jusqu'à Chicago où elle rencontre dans un immeuble une famille qui se bat pour survivre aux fantômes. Ensemble, ils vont affronter le fantôme de Kayako afin de sauver leurs âmes de leur tragique destin devenu imminent.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Photos, home videos and especially a series of audios recorded without Julia's consent are the essence of this film that tells the story of a woman who got married despite having many doubts and who never tired of seeking her own happiness.

A grandmother takes her granddaughter to visit her past memories through old photographs.