Banerjee stars as Ram Das, a jobless Indian man who, tired of life in Calcutta, steals money from his father in order to afford a passage to Britain and while there, falls in love with a white woman.
Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.
Geoff, a man with an unusual compulsion to eat inedible objects, calls on the unorthodox services of backstreet practitioner Doctor Dora in order to cure his ailment.
A blunderer barber ends after a misunderstanding to pretend doctor. However the patients problems aren't medical nature but personally so he helps them.
Arriving in an alpine village a crook is mistaken for a recently deceased doctor and decides to impersonate him. Three girls stranded in the same village are sheltered by the "doctor" and naked German hilarity inevitably ensues.
Sganarelle, mistakenly considered a famous doctor because of a prank, is brought in M. Geronte's house to cure his daughter, who went mute overnight.
In a subterranean bunker, a man - rescued from the wasteland above - must lie about being a doctor in order to be deemed worthy of saving.