Discontent, radicalism, and violence permeated the U.S. Northwest in the early decades of the twentieth century. Tens of thousands of workers migrated for jobs in logging, mining, and fishing - where they found poverty-level wages, crushing hours, and dreadful conditions. The conflict becomes part of a decades-long struggle involving tragedies such as the Everett Massacre (1916), the Seattle General Strike (1919), and the Centralia Massacre (1919).
With Babies and Banners: Story of the Women's Emergency Brigade is a 1979 documentary film directed by Lorraine Gray about the General Motors sit-down strike in 1936–1937 that focuses uniquely on the role of women using archival footage and interviews. It provides an inside look at women's roles in the strike. The film was one of the first to put together archival footage with contemporary interviews of participants and helped spur a series of films on left and labor history in the US utilizing this technique. The film was also important in helping bring into view the history of American women being active in the public sphere, particularly in union and labor actions. The film was, further, ground breaking because it was produced and directed by women. It was nominated for an Academy Award for Best Documentary Feature.
In July of 2019 the Blackjewel coal company announced it was declaring bankruptcy. Miners were told to stop working mid shift, and their last paychecks bounced. The miners retaliated by blocking a train full of coal, camping out on the coal tracks for weeks. Queer regional organizers made their way to the encampment to support the miners. The encampment became a place for community gathering and mutual aid distribution. Sarah Moyer, a film maker living in Kentucky, also made their way to the encampment and filmed this short documentary on the blockade. (Summary from Queer Appalachia)
A portrait of Chicagoland ICU nurse Jeanette Alvarez-Basem captured through the perspective of her son Ben Basem. Between her night shifts and Illinois Nurses Association union meetings, Jeanette navigates what it means to be a nurse and a human during the first year of the COVID-19 pandemic.
Portrait of a community in the heart of South Wales almost one year into the miners' strike of the 1980s.
Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)
Chronicles the industrial action leading up to the deregistration of the Builders Labourers Federation.
It's been more than 1,000 days since the workers of Cort/Cortek Guitar begun a struggle after the company abruptly closed down. Meanwhile, musicians performed for the workers so many people are aware of the company's injustice, but the company has yet to respond. The workers visit international instrument expositions all around the world, meet other guitar companies such as Fender and Ibanez who subcontract with Cort, and share the struggle with them. The workers also align with musicians in Japan and the USA. They achieve international solidarity through music.
Documentary about a man remembering his struggles while floating on a boat down a river.
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite.
As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
An explosion in one of the largest chemical plants in Europe, the Petrochemical complex in Tarragona, triggers the labour struggle of a group of workers who demand what is fair for everyone.
The Delano Manongs tells the story of farm labor organizer Larry Itliong and a group of Filipino farm workers who instigated one of the American farm labor movement’s finest hours – The Delano Grape Strike of 1965 that brought about the creation of the United Farm Workers Union (UFW). While the movement is known for Cesar Chavez’s leadership and considered a Chicano movement, Filipinos played a pivotal role. Filipino labor organizer, Larry Itliong, a cigar-chomping union veteran, organized a group of 1500 Filipinos to strike against the grape growers of Delano, California, beginning a collaboration between Filipinos, Chicanos and other ethnic workers that would go on for years.
The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.
A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.
OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.
Workers on strike who have not been paid for months and tourists who are forced to wait in their steamy cars in the middle of the tourist season. Krk Bridge, Croatia. August 16th, 2012.
For 200 years, coal mining had been a way of life in Cape Breton. By 1920 things were looking up: miners were unionized and paid decent wages. Then the British Empire Steel Corporation arrived and bought every single steel and coal company in Nova Scotia. BESCO cut wages by a third, setting off a bitter labour dispute. The miners settled in for a long strike. Finally, in 1925, the military ended the unrest with brute force. But the miners, in one sense, had won. They broke up the monopoly and provided an example to workers across the country.
‘VIGO 1972’ narrates the events which took place in Vigo in September 1972, when the firing of five Citröen auto workers resulted in the largest general strike in the history of Galicia — with over thirty thousand workers — all of this during the Franco dictatorship in Spain.
‘What do you want?’ asks the trade union leader, to which the men respond as if with one voice: change! Life is hard work on Liberia’s rubber plantations and wages are meagre. Nothing has changed for generations, but now the workers are calling for a strike and instead of grafting, the men are playing football or fishing.
The inside story of Polmaise Colliery and the miners who were the first to walk out and the last to go back to work during the miners' strike.