Der smarte, erfolgsverwöhnte Millionär Thomas Crown sucht den ständigen Nervenkitzel. Als ihm sein geregeltes Leben wieder mal zu langweilig wird, landet er einen grandiosen Coup: Auf elegante Weise stiehlt er am helllichen Tag das teuerste Gemälde aus einem schwer bewachten New Yorker Museum. Seine Gegenspielerin ist nicht weniger gerissen: Die attraktive und erfolgshungrige Versicherungsagentin Catherine Banning hat bislang noch jeden Betrüger zur Strecke gebracht. Schnell spüren die beiden Gegenspieler, dass sie auf der selben Wellenlänge liegen. Es beginnt ein leidenschaftliches und gefährliches Katz-und-Maus-Spiel mit doppeltem Boden und verblüffenden Wendung.
Eine der größten Liebesgeschichten des 20. Jahrhunderts ist diesem Film zuzuschreiben: Das spätere Ehepaar Humphrey Bogart und Lauren Bacall lernte sich während der Dreharbeiten kennen. Bogart spielt darin den romantischen Helden Harry Morgan, der sich vom zynischen Beobachter zum aktiven Kämpfer wandelt. Morgan, Besitzer eines Kabinenbootes auf der Insel Martinique, wird von dem Gaullisten Gerard gebeten, einen französischen Untergrundkämpfer einzuschmuggeln. Morgan weigert sich, Politik ist nicht seine Sache. Seine Meinung ändert sich, als er die junge Amerikanerin Marie kennen lernt. Um ihr ein Flugticket zu kaufen, nimmt er den abenteuerlichen Job an. Nach einer Vorlage von Ernest Hemingway entstand ein Film voller Dramatik und erotischer Spannung.
Martinique, in the early 1930s. Young José and his grandmother live in a small village. Nearly everyone works cutting cane and barely earning a living. The overseer can fine a worker for the smallest infraction. The way to advance is to do well in school. José studies hard and succeeds in an exam allowing him to attend school in the capital. With only a partial scholarship, the tuition is very costly. José and his grandmother move to Fort-de-France to make José's studies easier...
Martinique Island, 1974. Inspired by the writings of the Martiniquais poet and politician Aimé Césaire (1913-2008), the dreamer Robert Saint-Rose, known as Zétwall (Star in Creole), aspires to be the first Frenchman to step on the lunar surface.
This picture depicts the eruption of the volcano by which over 30,000 souls were hurled into eternity. The numerous explosions which took place during the eruption are plain to be seen. Thousands upon thousands of tons of molten lava, sand, rocks and steam are thrown high in the air and descend with crushing force upon the unfortunate inhabitants of the doomed city of St. Pierre. This is the worst calamity which occurred since a similar eruption by Mt. Vesuvius when Pompeii was destroyed. (Lubin Catalog)
Alternating interview segments, shots of Martinique landscapes and scenes from Aimé Césaire's play La Tragédie du roi Christophe (1963), Sarah Maldoror portrays her friend as a politician, a poet, and a founder of the Négritude movement.
Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.
Just one of the many far-reaching impacts of the slave trade on human history is on agriculture and horticulture. While the French plantation owners on the Caribbean island of Martinique had their gardens laid out, Versailles-style, their enslaved workers continued their tradition of using medicinal wild herbs. Nowadays these herbs represent one of several resources through which the people of Martinique counter the health and ecological ravage caused by the use of pesticides on the banana plantations. Farmers are reclaiming uncultivated lands to grow indigenous vegetables, without any industrial pesticides; they fight boldly for simple biodiversity.
