Jauni piedzīvojumi Dž. K. Roulingas radītajā burvju pasaulē ir klāt! Tie tevi aizvedīs uz 70 gadu Ameriku pirms Harijs Poters Anglijā iepazina burvju pasauli. Jauns burvis Ņūts Skamanders ieradies Ņujorkā pēc pasaules apceļošanas, lai apkopotu un iepazītu pasaules neparastākās būtnes. Tur viņš sastop Jēkabu, vientiesi, kurš atver Ņūta čemodānu un izlaiž brīvībā visus viņa savāktās fantastiskās būtnes. Lai glābtu Ņujorku no haosa, Ņūts ir spiests meklēt un atrast visas pazudušās būtnes.
When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels.
Children Underground follows the story of five street children, aged eight to sixteen who live in a subway station in Bucharest, Romania. The street kids are encountered daily by commuting adults, who pass them by in the station as they starve, swindle, and steal, all while searching desperately for a fresh can of paint to get high with.
A station. A boy. A girl. The same book. An exchange of looks and movements that tends to a loving dream with an unexpected ending. A 16 mm black and white exercise made by the author during her first trimester at the London Film School.
A man tries to track down a potential love interest on a crowded train using a smartphone app.
A "love letter" to New York City through its subways & enclaves, H.O.M.E. is a film woven of two stories. One of a missing young man with Asperger's Syndrome who seeks refuge in the underground labyrinth of NYC. The other follows a gambling Ecuadorian livery driver & a Chinese woman desperate to get home to her sick child. Along each of their journeys through the urban landscape, they discover the deeper understanding of communication & their intimate connections despite their barriers. H.O.M.E. is an understated yet lyrical exploration of urban alienation & meaningful encounters through the lens of a "disconnected" city in constant motion.
Four people meet by chance at the subway station, exposing sides of themselves they're not really can handle.
Trapped in an empty subway station, a timid freshman must fight to protect his soul from a decrepit, hollow monster.
Is it okay to ride the subway without paying for the ticket?