New York 1926. Une force mystérieuse sème le chaos dans les rues, menaçant de révéler l’existence de la communauté des sorciers. Au même moment, Norbert Dragonneau débarque dans la ville au terme d’un périple à travers le monde. Il a répertorié un bestiaire d’animaux fantastiques dont certains sont dissimulés dans sa valise. Mais quand Jacob Kowalski, Non‐Maj qui ne se doute de rien libère accidentellement quelques‐unes de ces créatures, ils vont devoir s’unir pour les retrouver avant qu’il ne soit trop tard. Ces héros improbables ne se doutent alors pas que leur mission les mènera à affronter les forces de ténèbres.
Doris Attinger blesse Warren, son mari, avec un revolver, au moment où il rejoint sa maîtresse dans les rues de New York. L'affaire Attinger va bouleverser la vie d'un couple de juristes, Adam et Amanda Bonner.
Children Underground follows the story of five street children, aged eight to sixteen who live in a subway station in Bucharest, Romania. The street kids are encountered daily by commuting adults, who pass them by in the station as they starve, swindle, and steal, all while searching desperately for a fresh can of paint to get high with.
A station. A boy. A girl. The same book. An exchange of looks and movements that tends to a loving dream with an unexpected ending. A 16 mm black and white exercise made by the author during her first trimester at the London Film School.
A man tries to track down a potential love interest on a crowded train using a smartphone app.
A "love letter" to New York City through its subways & enclaves, H.O.M.E. is a film woven of two stories. One of a missing young man with Asperger's Syndrome who seeks refuge in the underground labyrinth of NYC. The other follows a gambling Ecuadorian livery driver & a Chinese woman desperate to get home to her sick child. Along each of their journeys through the urban landscape, they discover the deeper understanding of communication & their intimate connections despite their barriers. H.O.M.E. is an understated yet lyrical exploration of urban alienation & meaningful encounters through the lens of a "disconnected" city in constant motion.
Four people meet by chance at the subway station, exposing sides of themselves they're not really can handle.
Trapped in an empty subway station, a timid freshman must fight to protect his soul from a decrepit, hollow monster.
Is it okay to ride the subway without paying for the ticket?