Nel 1976, due palestinesi e due tedeschi dirottano il volo 139 di Air France da Tel Aviv a Parigi. Presi in ostaggio passeggeri ed equipaggio a Entebbe, chiedono un riscatto di 5 milioni di dollari e la liberazione di 53 militanti palestinesi e filopalestinesi, 40 dei quali prigionieri in Israele. Quando tutti gli sforzi diplomatici falliscono, il governo israeliano decide di non negoziare e approva un'operazione di salvataggio da parte dell'IDF.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit.
A dramatization of the incident in 1972 when Arab terrorists broke into the Olympic compound in Munich and murdered 11 Israeli athletes.
When two young American Jews raised to unconditionally love Israel witness the mistreatment of Palestinians, they battle the old guard to create a new movement opposing Israel’s occupation, and recentering Judaism itself.
Innocence tells the story of children who resisted to be enlisted but capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment and home videos of the deceased soldiers whose stories are silenced and seen as a national threat.
An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
A group of young UN soldiers in Lebanon enters service with pro-Israeli views and a naive outlook on war. They go through a radical change of heart as they witness and film the Qana massacre. They secure video evidence indicating that Israel deliberately bombed a UN camp killing 106 refugees.
The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.
Rachel Strode, a young immigrant with a dark secret in her past, comes to Israel in the Fall of 1973 to volunteer in a Kibbutz and then to convert to Judaism. Soon, she realizes that the local Kibbutz members don't seem to like strangers and foreigners, and that the evening of Yom Kippur (the most important holiday for Jews), will bring danger to her and her young volunteering friends. What begins as a time of fun and the celebration of youth turns into a menacing and bloody night of terror, which will give a new meaning to Yom Kippur of 1973.
A comedy about three military band reservists who wake to discover that the Israeli army has withdrawn from Lebanon and left them behind.
Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.
Seven years after completing an Israeli Defense Course for female combat soldiers, director Hen Lasker returns to take a deeper look at the place where she first fell in love with a woman. Over the course of 66 days and nights, Lasker shoots a fly-on-the-wall documentary that allows unprecedented intimacy into the lives of the trainees and commanders of the Israeli army. The dichotomy of the innocence of these baby-faced trainees with the heavy burden of military service is a central theme of the film, illustrated in a scene where they discuss losing their virginity while waiting their turn to fire a machine gun. But it is the director’s relationship with Smadar, a breathtaking commander struggling to mask her gentle soul with a strict military persona, which makes the film truly enchanting. The intersection of love, duty, and personal growth thrive through to the film’s surprisingly moving finish.
Guy Hircefeld, a veteran who served in the Israeli military at the start of its occupation of Palestine in the 1980s, now fights against the Israeli occupation. His only weapon is a camera.
The last years have seen a steep rise in the number of Arabs signing up to Israel's army. Considered traitors by many in the Arab community, what drives these young men to fight for a country traditionally in conflict with Arab interests? Does this provide a path for Israeli/Arab integration? In this insightful doc, we follow the first Arab battalion fighting for Israel.