Top IAF aviators come together in the face of imminent danger, to form Air Dragons. Fighter unfolds their camaraderie, brotherhood and battles, internal and external.
Командирът на ескадрила Вер Пратап Сингх е спасителен пилот в Индийските военновъздушни сили. Той рискува живота си, за да спаси живота на другите. Един ден, на работа, той попада на Зара - момиче от Пакистан. Тя е безгрижно и весело девойче, което е пристигнало в Индия, за да изпълни предсмъртното желание на сурогатната си майка. Тя се сблъсква с автобус злополука в тази непозната за нея и чужда земя. Вер спестява живота й. А неговият живот никога няма да бъде същият отново...
Сляпата по рождение Зуни заминава с благословията на родителите си в Делхи по случай Денят на Независимостта. Заедно с група девойки, тя участва в празника като танцьорка. На това пътуване Зуни се запознава с гида Рехан, който увлечен по нея, я обгражда с грижи и внимание. Сляпата девойка се влюбва в него и те решават да се оженят. Зуни се подлага на операция на очите и проглежда, но Рехан неочаквано загива по време на терористичен акт в Червената крепост. След няколко години обаче, изведнъж се оказва, че Рехан е жив, но той съвсем не онзи човек, за когото се представя.
A young man returns to Kashmir after his father's disappearance to confront his uncle - the man he suspects to have a role in his father's fate.
Rafiq and his family are struggling to come to terms with the loss of his older brother Tauqir, a tourist photographer, who is one of the thousands of young men who have disappeared, since the onset of the militant insurgency in Kashmir. After an unsuccessful attempt to cross the border into Pakistan,to become a militant, Rafiq returns home to an aimless existence. Until one day when he accidentally finds his brother's old camera.
A BSF jawan is held captive in an illegal camp run by Pakistani soldiers. Will he be able to rescue his girlfriend and return to his homeland?
The film takes us into the life of a nine- year old girl, who takes respite in drawing despite the fact that to fulfil her little aspirations like going to school, she has to navigate difficult geographical terrains and occasionally a curfew or a crossfire. By zooming into the microcosm of the girl's life, this short film endeavors to portray the larger story of Kashmir and the negotiations the people in any contested territory have to make in order to deal with the fissures in their geographical and personal identities. As a conscious act of resistance against the infidelity of language, there are no dialogues in the film.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
The film interweaves the personal narratives of four Kashmiri artists, three of whom - Syed Mujtaba Rizvi, Hina Arif and Zeeshan Jaipuri - are children of the conflict, their impressionable adolescent years years landing right in the middle of the region's most violent period in the 90s. The fourth character, renowned painter and art teacher Masood Hussain, grew up in a time of relative peace before becoming witness to Kashmir's tragic transformation. While their individual traumas are unique, they are connected by their pursuit to process this splintered world through unfiltered artistic expression.