Ray Kroc har ikke megen succes som omrejsende sælger af milkshakemiksere i 1950'ernes USA. Men efter et besøg på brødrene McDonalds nye burgerrestaurant i Californien øjner han chancen for storhed. Kroc tager alle midler i brug for at overtale brødrene til at sælge ham deres nyskabende fastfoodkoncept, så han selv kan score kassen på at opbygge en kæmpe franchise af kæderestauranter.
Dexter Reed is down on his luck after another one of his inventions fails. Ed welcomes Dex back to Good Burger with open arms and gives him his old job back. With a new crew working at Good Burger, Dex devises a plan to get back on his feet but unfortunately puts the fate of Good Burger at risk once again.
Harold og Kumar er to ambitiøse unge amerikanere. De repræsenterer de forenede staters stolte fremtid. De er for grimme til at få damer, de ryger for meget pot – og da de får fråderen foran fjernsynet, finder de endelig meningen med livet: De skal have fat i en af de saftige hamburgers fra White Castle-burgerkæden! Dermed begynder en eventyrrejse i staten New Jersey, hvor ethvert gadehjørne nøje gennemsøges for burgere. Og undervejs har de to eventyrere alverdens sære oplevelser og lærer en værdifuld lektie om livets sande værdier!
En lille happy-meal-buzz-figur bytter plads med den rigtige buzz da de er på burger restaurant.
”Det er en virkelig god, dårlig ide” var Scott Ambrozys kommentar til instruktøren Morgan Spurlock, da han præsenterede sin ven og producer for den idé, der siden skulle blive til dette vanvittige eksperiment af en dokumentarfilm.Da Morgan hørte om to unge pigers sagsanlæg mod fast-food kæden McDonald’s – og samtidig kunne følge de stigende overvægtsproblemer i USA, syntes han pludselig, at der var noget, der ikke hang sammen. For at finde ud af om det er manden eller maden, der har magten i det amerikanske samfund, satte han sig derfor for at dokumentere følgende kamikaze-projekt: I 30 dage lever han udelukkende af måltider fra McDonald’s under visse regler, som han selv opstiller. Han skal bl.a. altid svare ’ja’ til spørgsmålet, om han ønsker en ’supersize’ menu!
Der er mere stille end normalt i den lille kyst by i New Zealand. Alle beboerne er pludseligt forsvundet. Kan det passe, at de er blevet hakket i bitte små stykker? Ja, faktisk! En gruppe rumvæsener er nemlig dukket op, i en række små byen langs kysten, med det ene formål, at fange befolkningen og lave kødfars af dem. Bogstaveligt talt, altså! Senere skal kødet så sælges til en galaktisk fast food kæde! Men heldigvis er Alien Investigation of Defence Service (AIDS) på sporet af dem - svært bevæbnet med revolvere, marionetter og motorsave.
Stanley, an aging fast food worker, prepares to work his final graveyard shift after 38 years. When he's asked to train his replacement, Jevon, Stanley's weekend takes an unexpected turn.
En mands kærlighed set gennem hans hunds øjne.
Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry — this time from behind the register — as he opens his own fast food restaurant.
Two "foodie" brothers kidnap and torture those who ruin their "dining experience". A Parody of the Saw Saga
A mentally disturbed "Hamburger Killer" stalks the streets murdering unsuspecting fast food diners in this 1978 low budget comedy-horror short directed by Mark Pirro. The film "never got a formal release" until appearing on the DEATHROW GAMESHOW Blu-ray from Vinegar Syndrome in 2016, along with another Pirro short, the James Bond send-up THE SPY WHO DID IT BETTER. According to Pirro, the two films had a combined budget of less than $2000.
Tim (Cliff Richard) is a successful ambitious young financier working for a London Merchant bank, but even his happy-go-lucky attitude is severely jolted when he is sent to Birmingham instead of his promised New York for his posting! But comedy reigns when the enterprising bank manager helps an unsuccessful Birmingham restaurant compete with its rivals by introducing a new fast food - the Brumburger!
Four high school friends hatch a plan for a farcical heist that sends them spiraling into a series of surreal events littered with clowns, fast food, and ‘rakenrol’, in an even more absurd nation of squalor and entertainment.
A modern-day tragedy loosely based on Macbeth where the main character wants to conquer a fast-food restaurant chain instead of the Kingdom of Scotland.
A young waitress at a fast food diner has a bad feeling about things going on behind the chrome and neon facade of the diner. She finally believes she has the proof she needs to bring this secret to light, but unseen evil forces are unleashed in a blood thirsty attempt to stop her.
Filmmaker Michal Siewierski embarks on an audacious journey to expose the real reasons behind the Amazon forest fires and the alarming rate of deforestation in Brazil. Ranging from people’s food choices, to major political corruption, corporate greed and crimes against people and nature. Takeout tackles the facts and stories that traditional media outlets are too afraid to cover.
It is a live action feature film that is set in a world where the undead have risen and can be tamed to live peacefully with humans. People have been split between those who support undead rights and those who do not. Andrew and Emily, from either camp, meet and start to fall in love, while Brian just struggles to fit in. It is a social/political satire, story of struggle and a romantic love story all wrapped into one.
A young woman wanders through Paris spending most of her time eating all the junk she can: in a fast-food, out of a tin can and so on. She steals some more food in a supermarket, meets a friend who gently carresses her belly in the street, then goes back home where she makes herself vomit in the toilets. She is then ready for the family dinner.
After being incarcerated, Pancho Villa returns home to his wife and child. With a crooked parole officer and a boss that tries to frame him for stealing, Villa decides to participate in a robbery to provide for his family. His partners in crime are small town hustlers, D.J, Juice and weapons dealer Chat. Their target: local drug lord Big Pat.
Obesity rates in the United States have reached epidemic proportions in recent years. Killer at Large shows how little is being done and more importantly, what can be done to reverse it. Killer at Large also explores the human element of the problem with portions of the film that follow a 12-year old girl who has a controversial liposuction procedure to fix her weight gain and a number of others suffering from obesity, including filmmaker Neil Labute.