Produced using a VHS VCR and a digital camcorder, Vide-Uhhh! is an experimental piece, showcasing the VCR recording itself as Jesse England takes it apart, messes with key components and even attempts to break it.
This larger-than-life hologram makes a case for hiding in plain sight. The iridescent figure hovering in this gallery is projected using a technique called Pepper’s Ghost, which dates back to Victorian stagecraft. Despite its resemblance to a digital avatar, Flo depicts a real performer, who dons a wearable sculpture created by Mujinga and sways to an electronic score, also by the artist.
The most beautiful planet deconstructed, played with, and put back together again.
Jenni has an ordinary life of simple patterns revolving around family and work. Her daily routine is seemingly unremarkable yet is of great interest to someone she doesn’t know—but who knows everything about her. Harvest is a thrilling and inventive depiction of the hidden value in mundane routines.
Four separate individuals at the dawn of wireless technology unknowingly become accidental collaborators of a musical composition that is pieced together through radio waves.
Flowers, Animals, Grass, Sky, Loved ones, Like, Follow, Comment. View the forgotten and ruined memories that have been tainted by earworms, bad comedy and the far-right pipeline. Gaze upon the endless landscape, or gaze upon the endless thirst traps.
As the most prominent social media apps evolve around visual content, Instagram and Tiktok shape and shift the contemporary aesthetic experience profoundly and worldwide. Algorithmically curated content, aiming to maintain heightened states of emotions, creates a constant affect triggering. These platforms work as asynchronous content aggregator platforms, where the private sphere and the public get annexed so that context collapses and traditionally easily distinguishable contents get relativized. Users undergo a myriad of ephemeral affects leading to a permanent feeling of being overwhelmed and distracted.
A short film about Techboy's epiphany told through the power of DIY animation.
The story of computers: from electronic tape and punched cards, to austere-looking robots.
A college student's day changes dramatically after she receives a mysterious photo.
Carl and Susan, husband and wife, scientist and artist, navigate the challenges of Carl’s Alzheimer’s diagnosis.
Sunrise With Sea Monsters follows a wandering desktop hard drive as it journeys through the British landscape in a quest to explore new ways to store and preserve human knowledge for humanity in the future.
It’s not a secret we love robots here at BLR (Big Lazy Robot), so we wanted them to be the heroes in our latest promo clip. Luxury cars with powerful engines to drive through roads under severe speed restrictions, cable TV that allows us to pay to watch all kind of sports, all from our comfortable sofa, and of course, hyper expensive cell phones that do almost everything but making a decent phone call. Yes, our happiness is based on things we don’t need and governed by entities we don’t control, so what? Sit down and turn on the tv!
This Japanese release documents many advertising works by the American Computer Graphics company, Robert Abel and Associates.
How many times has this happened to you?
A portrait of Jacques Ellul, a French theologian/sociologist & anarchist who first became well-known to American readers with the English publishing of his book The Technological Society in 1964. For Ellul, technique represented an entire way of life characterized by life fragmented so that efficiency ultimately rules over all ethical decisions. Ellul warned that technique was having drastic effects on all aspects of modern life. Many Green Anarchists have cited Ellul's work on technique as influential on their thought.
Lurking under the sea is a global web of fibre optic telecommunication cables, the plumbing of the internet. It's how we talk, text and stream, connecting billions of people. These cables are also the frontline of a tech war.