This documentary film is a portrait of a film critic as seen by a filmmaker. While contemporary cinema manipulates reality by hiding itself, this experiment manifests the opposite in an explicit and evident way.
The film critic has been asked to travel to the city of Bergamo to participate in a 70-minute film experiment: savoring 2 kg of oysters and drinking 2 bottles of wine, while simultaneously answering 15 general knowledge questions and 15 solicitations of a private and personal nature. The outcome is a ruinous game in which the meaning of filming and the fragility of a human being merge into a melancholic testament.
In 1934 London, Jimmy Erskine, the most feared drama critic in town, finds himself in the crosshairs of his newspaper's new owner. Nina Land, the actress determined to win his favor, becomes entangled in a dangerous web of blackmail, deceit and murder.
Carlos Boyero es una de las figuras más seguidas y temidas del cine español. La polémica le persigue desde que hace más de cuarenta años publicara su primer artículo y, desde entonces, nunca ha dejado estar en ojo del huracán. ¿Es el último representante de una época que se termina? ¿Han acabado las redes sociales con la tradicional influencia de los críticos? Partiendo de la trayectoria y la personalidad de esta figura tan controvertida, El crítico trata, además, de reflexionar sobre los grandes cambios que está experimentando en España el género de la crítica cinematográfica.
Up against a deadline, a narcissistic screenwriter forces two of his worst critics to delete their reviews of his work at gunpoint.
It focuses on two friends, one of whom pursues a relationship with a mysterious woman who part owns a guest house and who he has been dating online. Problems occur when guests at the isolated guest house begin to disappear and the guys discover the truth about the woman and her monstrous sisters and how they must escape from a mysterious island if they want to survive beyond dawn.
Romance novelist Liam Bradley (Dylan Bruce) has already found massive success with three books written under the pen name Gabriel August, but he's mysteriously unknown to his legions of readers. With his first book written as a way to heal after a broken relationship, Liam has slowly become disheartened with writing strictly for romantic fantasy, something evident to a sweet, but honest, journalist who reviews books, Sophie Atkinson (Amy Acker), whom he meets by chance on a plane. The two begin a tentative relationship in Sophie’s home town of Portland, Oregon, where Liam has come to find inspiration for his newest entry. Liam’s agent puts him on the spot with a long-planned reveal of Gabriel August’s true identity, but Sophie doesn’t know of his public persona. The longer Liam avoids telling her the truth, the deeper a hole he digs for himself. Will their romance survive once his true identity comes to light?
A day in the European Parliament and surrounding area. This dance film is inspired by the work and lifestyle of the Eurocrats in Brussel’s EU district and features five dancers. The characters dance, run and glide through the empty spaces in an atmosphere beyond time, decontextualized, in an architectural non-site.
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.
A celebrity chef exacts revenge on a food blogger who torpedoes his career.
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
Historia ambientada durante la Serie Mundial de 1986 sobre un dramaturgo y fanático de los Boston Red Sox (Michael Keaton) y la apertura de su nueva obra dramática. Robert Downey Jr., Catherine O'Hara, Griffin Dunne. Dirigida por Michael Hoffman.
A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.
It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's not finished, and intrigue starts that involves influential critic Bevalaqua, theatre star Celimene, young lead actors and other theatre residents
A Shakespearean actor takes poetic revenge on the critics who denied him recognition.
Pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he stays in the critic's house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information to blackmail the cellist into performing a composition that he, Cornelius, has written.
Parker Ballantine is a New York theater critic and his wife writes a play that may or may not be very good. Now Parker must either get out of reviewing the play or cause the breakup of his marriage.