Up against a deadline, a narcissistic screenwriter forces two of his worst critics to delete their reviews of his work at gunpoint.
A day in the European Parliament and surrounding area. This dance film is inspired by the work and lifestyle of the Eurocrats in Brussel’s EU district and features five dancers. The characters dance, run and glide through the empty spaces in an atmosphere beyond time, decontextualized, in an architectural non-site.
John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.
An incredibly popular stage performer unknowingly falls madly in love with the lone critic that savaged her performance in the press.
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.
A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.
This documentary film is a portrait of a film critic as seen by a filmmaker. While contemporary cinema manipulates reality by hiding itself, this experiment manifests the opposite in an explicit and evident way.
The film critic has been asked to travel to the city of Bergamo to participate in a 70-minute film experiment: savoring 2 kg of oysters and drinking 2 bottles of wine, while simultaneously answering 15 general knowledge questions and 15 solicitations of a private and personal nature. The outcome is a ruinous game in which the meaning of filming and the fragility of a human being merge into a melancholic testament.
In 1934 London, Jimmy Erskine, the most feared drama critic in town, finds himself in the crosshairs of his newspaper's new owner. Nina Land, the actress determined to win his favor, becomes entangled in a dangerous web of blackmail, deceit and murder.
A theatre critic teams up with a cop to investigate the murder of a Broadway actor.
A celebrity chef exacts revenge on a food blogger who torpedoes his career.
Pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he stays in the critic's house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information to blackmail the cellist into performing a composition that he, Cornelius, has written.
A Paris sculptor (Richard Dix) fakes blindness in Los Angeles to recover his blackmailed sister's love letters.
Carlos Boyero is one of Spanish cinema's most followed and feared figures. Controversy has hounded him since he published his first article more than forty years ago, and he has remained in the eye of the hurricane ever since. Is he the last representative of a disappearing time? Has social media put an end to the traditional influence of the critics. Taking the background and personality of this very controversial figure as its basis, El crítico / The Critic will also endeavour to reflect on the enormous changes taking place in Spain in the field of film criticism.
Romance novelist Liam Bradley (Dylan Bruce) has already found massive success with three books written under the pen name Gabriel August, but he's mysteriously unknown to his legions of readers. With his first book written as a way to heal after a broken relationship, Liam has slowly become disheartened with writing strictly for romantic fantasy, something evident to a sweet, but honest, journalist who reviews books, Sophie Atkinson (Amy Acker), whom he meets by chance on a plane. The two begin a tentative relationship in Sophie’s home town of Portland, Oregon, where Liam has come to find inspiration for his newest entry. Liam’s agent puts him on the spot with a long-planned reveal of Gabriel August’s true identity, but Sophie doesn’t know of his public persona. The longer Liam avoids telling her the truth, the deeper a hole he digs for himself. Will their romance survive once his true identity comes to light?
Talentovaný dramatik Nicky je celoživotním oddaným fanouškem baseballového týmu Boston Red Sox. V den napjatě očekávané premiéry jeho poslední hry zároveň probíhá klíčové utkání finále Světové série, v němž mohou Red Sox, tým „tragických proher,“ dosáhnout historického triumfu. Zápas má v očích Nickyho zásadní, takřka katarktickou důležitost: může v krátké chvíli převrátit smysl celého jeho života, očistit jeho viny a možná i zachránit jeho rozpadající se manželství a rodinný život vůbec. Proto se nakonec Nicky rozhoduje dát přednost jeho sledování v hospodě před účastí na premiéře své nejlepší hry. Ta probíhá paralelně s baseballovým zápasem a i ona balancuje na tenké hranici mezi senzací a fiaskem. Všeobecnou nervozitu ohledně jejího přijetí ještě umocňuje přítomnost jízlivého divadelního kritika „fantóma Broadwaye,“ Stevena Schwimmera, rovněž nadšeného fanouška Red Sox.
V izolovaném hotelu mizí hosté a příčina je majitelka a její monstrózní sestra.
Parker Ballantine is a New York theater critic and his wife writes a play that may or may not be very good. Now Parker must either get out of reviewing the play or cause the breakup of his marriage.