大衛（傑森蘇戴西斯飾）身為一名大麻的藥頭，做生意超憑「良心」，他的客戶們幾乎都是家庭主婦和廚師，不賣給年輕人是他的一份堅持，因此日子過的還安穩。未料有一天，大衛在想要提供當地的青少年一些幫助的時候，竟然遭到三名小混混的惡意對待，偷走了他全部的貨與現金，還讓他欠了大藥頭布萊德（艾德赫姆斯飾）很多的錢。 為了還債，大衛接受了布萊德給他的一個機會，就是將一小批大麻從墨西哥偷渡進美國，不但欠的錢不用還，大衛還可以拿到十萬美金的酬勞。於是，大衛不惜下重金請他的鄰居加入他的計畫。加入的鄰居包括了尖酸刻薄的脫衣舞孃蘿絲（珍妮佛安妮斯頓飾）、想體驗一下吸大麻的宅男肯尼（威爾普爾特飾），以及翹家的失學少女凱西（艾瑪羅伯茲飾）。大衛打算和這三位鄰居假裝成一家人，開著休旅車、聲稱是到南部邊界渡過美國獨立紀念日的週末假期，希望能夠取得海關和緝毒組的信任，平安過邊界；於是，「米氏一家人」出發了。 只不過，完全出乎他們預料的是，大藥頭布萊德口中的「一小批大麻」，數量竟然多到可以裝滿整輛休旅車；而他們還不知道的是，這批大麻其實是布萊德黑吃黑國際毒梟所得來的，而緝毒組也掌握到可靠線索，一路找到了他們……。「米氏一家人」將會遇到什麼樣的狀況呢？他們能夠有辦法全身而退嗎？
麥克在脫衣舞男生涯的顛峰之時，急流勇退，遠離了舞男的生活。後來，其他的舞男同伴也準備洗手不干。不過在收山之前，他們想要在美特爾海灘，展開一場盛大的告別秀，並邀請“魔力麥克”重出江湖。麥克與夥伴們上路，中途在小鎮傑克遜維爾及薩凡納短暫停留，與老友重聚，也結識了許多新朋友，還學到新的舞技。在他們的最後一場大秀中，絕對會有讓人大開眼界的勁爆演出。
麥絲已辭世的母親經常主演驚悚片，是80年代相當知名的「尖叫女王」。在其作品中其中一部經典—《Camp Bloodbath》的紀念放映會中，因為一場意外使麥絲和朋友們進入了該片的電影場景裡。在感動的母女重逢後，他們必須共同擊敗電影中的瘋狂殺手..
In the not too distant future a secret government re-animation chemo-virus gets released into conservative Sartre, Nebraska and lands in an underground strip club. As the virus begins to spread, turning the strippers into "Super Zombie Strippers" the girls struggle with whether or not to conform to the new "fad" even if it means there's no turning back.
A blonde night club dancer is being stalked. Will anyone believe her?
After the death of his mother, middle-aged insurance employee inherits her small cottage surrounded by a garden. Selling the cottage which is situated on unexploited ground near the center of a big city makes him a rich man and he buys a big house in the countryside. He takes some time off and decides to throw a big garden party at the house and invite all his colleagues from the office. Aided by alcohol, the guests gradually lose all their inhibitions and reveal personality traits and frustrations that they normally keep hidden.
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
The Lecturer, leader of the Feminine League Against Frivolity, tells the history of eroticism and censorship from the beginning of time until the late 1960s.
A day in the life of a waitress/webcam model as she serves customers, deals with the world around her, and remembers why she does all of it in the first place.
A man in a movie production office partially strips for the camera.
In the Old West, the government hires three strippers to travel to mining towns and keep the lonely--and, no doubt, horny--miners entertained. At one town the patriarch of a grungy outlaw family discovers that the girls are getting $500 a day from the government, and decides to kidnap the trio and hold them for ransom. Unfortunately, he uses his two idiot sons in his scheme, and things don't go off exactly as planned.
A seedy striptease club in London's West End becomes the target for unpleasant crooks.
Sarli plays the role of Alicia who is left behind with a young son when her husband goes to Panama to work. She has affairs with various men, which lead to extortion.
A filmed burlesque show, staged at the El Rey Theater in Oakland, CA.
A young woman named Gina buys a how-to book on sex, leading to a series of erotic dreams and fantasies.
Featuring the vintage films, and pictures that made her a phenomenon, BETTIE PAGE, THE GIRL IN THE LEOPARD PRINT BIKINI, focuses on the life and times of the legendary model, the times in which she lived, and the impact her career had on the subsequent fifty years.
Stripteasers, baggy-pants comedians, exotic dancers, comedy sketches-- all part of a great tribute to a living art, hosted by Ann Corio, the queen of Burlesque.
The film opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and her skirt, leaving her clothed only in a sleeveless chemise. Smiling directly at the camera, she mischievously slips a strap of the garment off one shoulder, then ducks behind the screen.