Due to the increasing privatization of basic public services in Spain, companies such as BB Serveis are accused of misappropriating several million euros of public money intended to finance care for the elderly and other dependent persons.
A profoundly empathetic, unpretentious and droll account of a how a swarthy, Hemingway-like sailor upends the droning routines of a nursing home when he checks himself in. Though his subtle interactions with the other residents – including his cantankerous roommate who obviously harbours resentment towards his family for putting him out to seed – the sailor gently whisks up an atmosphere of hope and happiness and allows the movie to deliver its beautifully simple message: that life should be savoured until the bitter end.
Margaret, an old woman, struggles with transitioning from being an independent person to someone who needs the help of a nursing home.
A nurse takes care of a patient in her house. Maria do Céu has been a nurse for more than forty years, working at an old Hospital in Lisbon. She was sixteen, when she arrived to Lisbon, coming from a small village in Alentejo. At the Hospital, she reads the file of an old patient who was also her friend. The file is then closed. Maria do Céu returns to her village, where she sings at the people’s house choir.
The family of Eusebio, a sick old man, believes that he has begun to lose his mind and that the stories he tells, which nobody listens to, are those of a crazy person.
Willy watches his favourite western every night before bed, until this faithful eve in which he takes a bump to the noggin, leaving him in the local old folk’s home, which spurs his own spaghetti western of a situation
Faced with a future of chair-xercise and spoon-fed pudding, nursing home friends Nora and Edna attempt to break out of the 'fox farm' and find a life worth sticking around for.
Jules, a rebellious septuagenarian, foments a revolt in his home ruled by quasi-military rules. He and his twenty supporters will oppose the management, the firefighters and even the gendarmes.
An elderly man pines away in a nursing home. His family calls on him out of a guilty conscience, but they try to get away from the stuffy atmosphere as soon as possible. The old man obliges them and behaves unresponsive. But as soon as everybody is gone, he smiles contented while softly speaking to his canary Arie. The human form the bird suddenly assumes is the kick-off for an adventure.
A partnership between Matthew Bourne's New Adventures and Magic Me, the UK's leading intergenerational arts charity, Moving in Time is a heartwarming short dance film based on stories told by residents of St. Fillan's Care Home, many of whom are living with dementia.
Comedy as six pensioners in residence take on the sponsorship of the FOOTBALL team in the neighbouring orphanage with unexpected consequences.
A compelling call for justice, Stolen Time follows charismatic elder rights lawyer Melissa Miller as she takes on the corporate for-profit nursing-home industry—an industry notorious for its lack of transparency and accountability. As the legal battle unfolds, families, frontline caregivers and change-makers chronicle an urgent crisis with ramifications—and inspiration—for us all.
"Assisted Living" chronicles a day in the life of Todd, a janitor who spends his days smoking pot and interacting with the residents for his own entertainment. Todd's detachment from his surroundings is compromised only by his unlikely friendship with Mrs. Pearlman, a resident who begins to confuse him with her son. On this particular day, Todd must choose whether or not to play the part. "Assisted Living" is shot and staged in a real nursing home and gains much of its unique effect and style from the participation of actual residents and staff members. During much of the film, it is impossible to distinguish between what is real and what is fiction.
Two sisters embark on a hilarious, mile-a-minute road trip to rescue their grandmother and her beloved dog from her retirement home before their reckless sister gets there first.
Peter Schermann is angry at the world after his children move him into a nursing home. Still physically and mentally strong, he searches for a meaning to his life in a new and uncompromising world.