Anna Millman is a portuguese teacher, she falls for Joaquim Martinho, an actor. Both meet in Europe and travel to Brazil together with the future princess of Brazil, Leopoldina from Austria. The romance between the teacher and the actor evolves during a time of revolution, the independence of Brazil
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Science-based documentary about the extraordinary wonders of one of the last intact wild places left on Earth – Ningaloo, a refuge for thousands of species of wildlife unknown, extinct, or endangered elsewhere.
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Follow the lives of the Chinle High basketball team in Arizona's Navajo Nation on a quest to win a state championship and bring pride to their isolated community.
See the real modern-day Amazonia through an exploration of the Amazon Basin, meeting a different group of people who live there in each episode.
Taylor Starr, Adam Palmer, Kru Williams, and Don Froese band together to solve the legend of Slumach's lost gold mine.
Young people from 11 Indigenous nations across Quebec take part in expeditions where they can put their ancestral know-how to use, discover the earth's resources and test their physical endurance!
Imagining Indians is a 1992 documentary film produced and directed by Native American filmmaker, Victor Masayesva, Jr.. The documentary attempts to reveal the misrepresentation of Indigenous Native American culture and tradition in Classical Hollywood films by interviews with different Indigenous Native American actors and extras from various tribes throughout the United States.
With an all-Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film. Masayesva says, "Coming from a village which became embroiled in the filming of Darkwind, a Hollywood production on the Hopi Reservation, I felt a keen responsibility as a community member, not an individual, to address these impositions on our tribal lives.
Even as our communities say no, outsiders are responding to this as a challenge instead of respecting our feelings... I have come to believe that the sacred aspects of our existence which encourages the continuity and vitality of Native peoples are being manipulated by an aesthetic in which money is the most important qualification. This contradicts the values intrinsic to what's sacred and may destroy our substance. I am concerned about a tribal and community future which is reflected in my film and I hope this challenges the viewer to overcome glamorized Hollywood views of the Native American, which obscures the difficult demands of walking the spiritual road of our ancestors."