Three women uncover the rags-to respectability tale of their ancestors?the feisty convicts who became the unlikely founding mothers of modern Australia. This is the rip-roaring tale of The Lady Juliana and the boatload of streetgirls, thieves and con-women who sailed to the ends of the earth to breathe life into a dying colony.
An Argentine writer agrees to travel with a detective, a married individual and a woman in a car, to cross the mountain range. A storm forces them to seek refuge in a cabin, inhabited by an old fan of esoteric arts. Along the way, we learn about Alberto's story and the reasons for his arrest. In an oversight the criminal and the woman escape the detective's vigil ...
Thoughtful documentary exploring the shocking court decision to grant custody to a child’s father, a convicted murderer, rather than her lesbian mother.
After four years in prison, Bobby is released into a world he no longer recognizes. His exgirlfriend Penny is abusing drugs. Their daughter is in foster care. Bobby's sister is in the process of rebuilding her life after a bad relationship.
Made for the landmark anthology series, For the Record, Seer Was Here is an example of the bold dramatic programming made at the CBC in the mid-70s, while theatre director John Hirsch was serving as the head of the drama department. Saul Rubinek plays an inmate of a cruel Vancouver prison who brings humour, warmth, a little joy and self-understanding to the fellow prisoners of his cell block. An irreverent satire also featuring Eric Peterson and Martin Short. “Absolutely great, It’s also funny. Very Funny. Very Warm. Very touching… in some ways, a Canadian One Flew Over the Cuckoo’s Nest.” (Calgary Herald, 1978)
When chain gang prisoners attack their guards, some of the hardened criminals escape Brazil's infamous Anchieta Prison amidst all the pick-ax carnage. The government dispatches a machine-gun squad to round up the fugitives, who have fled by foot and boat and now have begun to turn on each other.
In the 19th century, children -- particularly the children of the poor -- were considered to be an exploitable resource of docile and cheap labor. Anyone who had the effrontery to steal so much as a portion of a loaf of bread for any reason would (at the very least) go to prison, regardless of their age. However, people of conscience were beginning to protest against this situation. The story takes place in a prison for children where conditions are particularly harsh. The warden is a thick-headed martinet who demands complete compliance with the rules, or the children will be brutally dealt with. The assistant warden is a more modern man, and is appalled by the whole institution, but seeks to begin by reforming it. To that end, he has invited a journalist to come and see the conditions that prevail there, in the hopes that she will rouse public opinion against at least this one form of injustice.
A silent romantic love triangle crime melodrama about a man who gets out of prison after ten years and discovers that his wife has divorced him and married the man who sent him to prison. Worse yet, she fears he will want to exact revenge, so she sets up her new husband to frame her first husband, so he will be sent back to prison!
A guard prevents the inmate's escape from the prison. During his second attempt, the inmate decides to save guard's life who have been fallen into the river while trying to catch him. Since the guard's job is now to keep an eye on him in the cell, they spend a lot time together and their hatred turns into a sincere friendship. The guard wants to help inmate to escape again.
Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.
In old New South Wales a new bunch of convicts arrives including the little convict, young Toby Nelson. Consigned to a Government farm they are subjected to the cruelty of Sergeant Billy Langdon and Corporal Weazel Wesley. Toby escapes and flees into the Australian bush where he is saved from death by the aboriginal boy, Wahroonga. Together, with another escapee, the highwayman, Jack Doolan, and Wahroonga’s animal friends, they launch a spectacular mission to rescue the blacksmith, Big George, and Toby’s sister, Polly.
Joe McDoakes pleads "not guilty" to a traffic violation but is convicted anyway. Handling this setback in his usual manner, the two-dollar fine quickly pyramids to a 10-year jail sentence.
Oh, Susanna! is a 1936 American Western musical film directed by Joseph Kane and starring Gene Autry, Smiley Burnette, and Frances Grant. Written by Oliver Drake, the film is about a cowboy who is robbed and then thrown from a train by an escaped murderer who then takes on the cowboy's identity.
A provincial detective seeks to take down a local gambling syndicate with the help of two convicts.
A federal agent infiltrates a crime syndicate.
In the Colorado Rockies, Sheriff Scott, heads a posse that is after four escaped convicts, and thought it is his sworn duty to return the men dead or alive, he is, as always, reluctant to kill his fellow man. He is accompanied by Jaynes, a tavern owner, who takes much delight in his telescopic rifle, and by "Smitty," a gas station held up the escapees and more than ready to show she can be as tough as any man, although she seems to have some other motive for getting to the leader of the convicts, Kaygo.
A gray-haired convict, within the shadows of the gallows, tells his story to the prison chaplain beginning twenty years earlier when he was sent to prison for a crime he did not commit.
A story depicting the life of executed murderer and gang leader, Marciál "Baby" Ama. Ama, who became a gang leader with his prison mob while serving a sentence for lesser charges, was executed for murder at the age of 16 via electric chair on 4 October 1961.
Life for Dee Stanton is improving at every turn. Her legal career is blossoming and her boyfriend Dominic unexpectedly proposes to her. Things were very different 11 years ago when her husband Paul was jailed for the brutal murders of four girls and Dee was hounded from her home. Dee has kept all this a secret from her 15-year-old son Jamie. Now he has discovered the truth about his father and demands to see him.