When his husband Gabriel files for divorce, Nicky fights for custody of their 8-year-old son Owen, as he struggles to come to terms with what it means to love someone and what it means to be a father.

新進の女性フォトグラファー、イザベルは弁護士のルークと恋をして同棲を始めたが、ルークには先妻との間の子供が2人いた……。キャリア・ウーマンが織りなす人間模様を温かいタッチで描く。

A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.

A pregnant single mother, with two children in foster care, embraces her Bay Area community as she fights to reclaim her family.

マッティ刑事にパリまで夜行列車で護送されていたボーゲルは、刑事が寝入ったすきに手錠を外して逃亡を図る。一方、刑務所を出所したコレ―は、貸しのあったリコを訪ね、貸しを返すことを求めるがリコは断る。リコを脅して大金を奪ったコレ―は車でパリに向かうが、そのトランクには列車から脱出したボーゲルが隠れていた…。

When a hard-working single mother, Sara Diaz, has her children taken from her after she is suspected of injuring her son, Ally Fisher, a recent law school graduate, is assigned to represent her case before Judge Martha Schulman, a veteran of the Family Court System.

A female photographer teams up with a policeman to try to bring down a corrupt police officer who framed her for drug possession and during her investigation, finds that not everything, or everyone, is what they appear to be.

Raised by Natalie Brennan, a flamboyant and irresponsible mother, Ziggy Brennan gets involved in hustling men at a young age. She hangs around with a wild crowd and learns gets her "street smarts" first from her mother, who wants everyone to think they are sisters, and then from Denny Reagan, an older man. He starts teaching her his tricks of the trade and she falls right in line with his crooked ways. Then one night she meets Martin J. 'Mart' Neilson, a tall, handsome, honest farmer boy who's a sailor and they fall in love. While he's away fighting the war, she discovers she's pregnant.

Ella, at almost forty, is forced to move back in with her father Alan. She's trying to stay sober having temporarily given up custody of her young daughters to her ex-husband Joseph and his new partner Bethan.

Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.

A woman's husband apparently has deserted her and their daughter. So she decides to get on with her life which might include dissolving their union and seeing someone else. However, her in-laws, her husband's parents feel that she's acting very hastily, so she leaves their home with her daughter whom they love very much. She decides to limit their access to her daughter, but grandfather and granddaughter see each other on the sly.

Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.

A provocative drama about an IVF mix-up which results in a white woman giving birth to a black boy.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.

When Paula’s painful breakup with Raúl causes her to stop seeing his son Dani, Paula will have no choice but to challenge a hypocritical legal system that ignores the custody rights of a loving, non-biological parent.

With the holidays just around the corner a divorcing couple is blindsighted by a judge's ruling that will upend their family's lives and put their Merry Christmas in serious jeopardy.